"Powstanie Warszawskie" docenione w USA

Polski dokument zmontowany spośród archiwalnych kronik z Powstania Warszawskiego otrzymał w Hollywood nagrodę dla najlepiej opracowanego dźwiękowo filmu dokumentalnego.

Reżyserowie i montażyści dźwięku też przyznają swoje doroczne nagrody (Golden Reel Awards). Wśród laureatów znalazły się m.in. "Birdman", "Niezłomny", "Get On Up", "Newsroom", "Gra o tron", "Fargo". W tym wybitnym gronie znalazło się też miejsce dla polskiego "Powstania Warszawskiego". Z myślą o zagranicznym widzu i amerykańskich festiwalach filmowych powstała specjalna wersja filmu pod tytułem "Warsaw Uprising". Do współpracy przy jej przygotowaniu zaproszony został reżyser Władysław Pasikowski. Do oryginalnego scenariusza dołączono postać amerykańskiego dziennikarza, któremu dwójka głównych bohaterów tłumaczy to, co dzieje się w Warszawie. Polski film był w gronie pełnometrażowych dokumentów zabiegających o Oscary, ale nominacji nie otrzymał. Dziś cieszy za to nagroda za pracę zespołu dźwiękowców pod kierownictwem Bartosza Putkiewicza i Kacpra Habisiaka.

Pełna lista laureatów (w oryginale)

FEATURE FILM

Best Sound Editing in Feature Film: Music

BIRDMAN

SUPERVISING MUSIC EDITOR: Martin Hernandez

MUSIC EDITORS: Terry Wilson, Will Kaplan

Best Sound Editing in Feature Film: Music (Musical Feature)

GET ON UP

SUPERVISING MUSIC EDITOR: Curt Sobel

MUSIC EDITORS: Jordan Corngold

Best Sound Editing in Feature Film: Dialogue/ADR

UNBROKEN

SUPERVISING SOUND EDITORS: Becky Sullivan, MPSE, Andrew DeCristofaro, MPSE

DIALOGUE/ADR EDITORS: Laura Atkinson, Glynna Grimala

ADR EDITOR: Lauren Hadaway

Best Sound Editing in Feature Film: FX/Foley

AMERICAN SNIPER

SUPERVISING SOUND EDITORS: Alan Robert Murray, Bub Asman

SOUND EFFECTS EDITORS: Jason King, Mark Larry, Roland N. Thai, Kevin R.W. Murray

SOUND DESIGNER: Tom Ozanich

SUPERVISING FOLEY EDITOR: Michael Dressel

FOLEY EDITOR: Christopher Flick

FOLEY ARTISTS: Dan O’Connell, John T. Cucci, MPSE

TELEVISION, SHORT FORM

Best Sound Editing in Television, Short Form: Music

(TIE)

ALMOST HUMAN

MUSIC EDITOR: Warren Brown, MPSE

FARGO

SUPERVISING MUSIC EDITOR: Skye Lewin, MPSE

Best Sound Editing in Television, Short Form: Dialogue/ADR

THE NEWSROOM, “Oh Shenandoah”

SUPERVISING SOUND/ADR EDITOR: Mark Relyea

DIALOGUE/ADR EDITORS: Edmund Lachmann, Julie Altus

Best Sound Editing in Television, Short Form: FX/Foley

GAME OF THRONES, “The Children”

SUPERVISING SOUND EDITOR: Tim Kimmel

SOUND DESIGNER: Paula Fairfield, MPSE

SUPERVISING FOLEY EDITOR: Brett Voss

FOLEY ARTISTS: Jeffrey Wilhoit, MPSE, Dylan Wilhoit

SOUND EFFECTS EDITOR: Bradley Katona, MPSE

TELEVISION, LONG FORM

Best Sound Editing in Television, Long Form: Dialogue/ADR

KLONDIKE, “Episode 1″

SUPERVISING SOUND EDITOR: Lee Walpole

SUPERVISING DIALOGUE EDITOR: Jason Lawrence

SUPERVISING ADR EDITOR: Iain Eyre

Best Sound Editing in Television, Long Form: FX/Foley

HOUDINI, “Night 1”

SUPERVISING SOUND EDITOR: Michael J. Benavente, MPSE

SUPERVISING FOLEY EDITOR: Robert Ulrich

FOLEY ARTIST: Joan Rowe, MPSE

SOUND EFFECTS EDITORS: Michael Sana, Paul Diller, Tim Cleveland, Gary Megregian, MPSE, John Snider

FOLEY EDITORS: Rachel Corrales, Ryan Maguire

TV/FEATURE ANIMATION AND DOCUMENTARY

Best Sound and Music Editing: Television Animation

STAR WARS: REBELS, “Gathering Forces”

SUPERVISING SOUND EDITORS: Matthew Wood, David Acord

SOUND DESIGNER: David Acord

SUPERVISING FOLEY EDITOR: Frank Rinella

FOLEY ARTISTS: Kim Patrick, Frank Rinella

SOUND EFFECTS EDITOR: Ryan Frias

DIALOGUE / ADR EDITOR: Tony Diaz, MPSE

SUPERVISING MUSIC EDITOR: Sean Kiner

Best Sound and Music Editing: Television Documentary, Short Form

AX MEN, “Ax Marks the Spot”

SUPERVISING SOUND EDITOR/SOUND DESIGNER: Bob Bronow, MPSE

SUPERVISING DIALOGUE EDITOR: Doug Kern

SOUND EFFECTS EDITOR: Eddie Rodriguez

Best Sound and Music Editing: Television Documentary, Long Form

FOO FIGHTERS SONIC HIGHWAYS, “Seattle”

SUPERVISING SOUND EDITOR/SOUND DESIGNER/SUPERVISING DIALOGUE EDITOR: Eddie Kim

SUPERVISING DIALOGUE/ADR EDITOR: Jeff Fuller

SOUND EFFECTS EDITORS: Eddie Kim, Justin Lebens

DIALOGUE/ADR EDITOR: Justin Lebens

SUPERVISING MUSIC EDITOR: Jeff Fuller

Best Sound and Music Editing: Feature Animation

BIG HERO 6

SUPERVISING SOUND EDITOR: Shannon Mills

SUPERVISING FOLEY EDITOR: Robert Shoup

SUPERVISING DIALOGUE EDITOR: Kim Foscato

SUPERVISING ADR EDITOR: Daniel Laurie

FOLEY ARTISTS: John Roesch, Alyson Dee Moore

SOUND EFFECTS EDITORS: Addison Teague, Nia Hansen, David C. Hughes, Jeremy Bowker

SUPERVISING MUSIC EDITOR: Dan Pinder

MUSIC EDITOR: Earl Ghaffari

FOLEY EDITOR: Jim Likowski

Best Sound and Music Editing: Feature Documentaries

WARSAW UPRISING

SUPERVISING SOUND EDITORS: Kacper Habisiak, MPSE, Bartosz Putkiewicz

SOUND DESIGNER: Marcin Kasiński ,MPSE, Dariusz Stanek

SUPERVISING FOLEY EDITOR: Henryk Zastróżny

SUPERVISING DIALOGUE / ADR EDITOR: Filip Krzemień

FOLEY ARTISTS: Jacek Wiśniewski, Jacek Pająk

SOUND EFFECTS EDITORS: Aleksandra Pająk, Anna Kufirska, Filip Krzyżykowski

DIALOGUE/ADR EDITOR: Tomasz Maciątek

SUPERVISING MUSIC EDITOR: Agnieszka Putkiewicz

MUSIC EDITORS: Dariusz Podhajski, Anna Malarowska

ADR EDITORS: Stefan Gawłowski, Maciej Wiejaczka, Jarosław Bajdowski, Mariusz Bielecki, Mariusz Andrasik

SOUND EFFECT EDITOR: Michał Kosterkiewicz

COMPUTER/DIRECT-TO-VIDEO/FOREIGN FEATURE

Best Sound and Music Editing: Computer Episodic Entertainment (Webisode)

HALO NIGHTFALL

SUPERVISING SOUND EDITOR: Lee Walpole

SOUND DESIGNER: Andy Kennedy

SUPERVISING FOLEY EDITOR: Sarah Elias

SUPERVISING DIALOGUE/ADR EDITOR: Jeff Richardson

FOLEY ARTIST: Meltem Baytok

SOUND EFFECTS EDITORS: Matthew Mewett, Danton Tanimura

Best Sound and Music Editing: Game Cinematics

LEAGUE OF LEGENDS: A NEW DAWN

SUPERVISING SOUND EDITORS: Riot Games Audio Team

SOUND DESIGNERS: Riot Games Audio Team

SUPERVISING DIALOGUE/ADR EDITOR: Riot Games Audio Team

FOLEY ARTISTS: Gary Hecker, Gary Marullo

SOUND EFFECTS EDITORS: Riot Games Audio Team

MUSIC EDITORS: Michael Patti, Michael Barry

Best Sound and Music Editing: Direct-to-Video, Animation

STAR WARS : THE CLONE WARS, “Sacrifice”

SUPERVISING SOUND EDITOR: Matthew Wood

SOUND DESIGNER: David Acord

SUPERVISING FOLEY EDITOR: Kevin Sellers

SUPERVISING DIALOGUE / ADR EDITOR: Steve Slanec

SOUND EFFECTS EDITOR: Jeremy Bowker

SUPERVISING MUSIC EDITOR: Dean Menta

MUSIC EDITOR: Sean Kiner

Best Sound and Music Editing: Direct-to-Video, Live Action

STONEHEARST ASYLUM

SUPERVISING SOUND EDITORS: Lon Bender, MPSE, Bill Dean, MPSE

SOUND DESIGNERS: Lon Bender, MPSE, Kris Fenske, MPSE

SUPERVISING FOLEY EDITOR: Rachel Chancey,

SUPERVISING DIALOGUE/ADR EDITOR: Bobbi Banks

FOLEY ARTIST: Ryan Collison

SOUND EFFECTS EDITORS: Patrick Cicero, Dino R. DiMuro, MPSE, Hector Gika, MPSE, Allan Zaleski, David Raines

SUPERVISING MUSIC EDITOR: John Carbonara

MUSIC EDITOR:  Chad Birmingham

Best Sound and Music Editing:  Feature Film, Foreign Language

THE LIBERATOR

SUPERVISING SOUND EDITORS: Jay Nierenberg, MPSE, Jonathan Wales

SOUND DESIGNER: Trevor Gates

SUPERVISING ADR EDITOR: Andrés Velasquez

FOLEY ARTIST: Vicki O’Reilly Vandegrift

SOUND EFFECTS EDITORS: Chris Diebold, Steven Iba, Charles Maynes, MPSE, Brent Findley

DIALOGUE/ADR EDITORS: Angela Hemingway, Todd Niesen, MPSE

SUPERVISING MUSIC EDITOR:  Ramiro Belgardt

ADR EDITORS: Juan Diego Borda, Aleksandar Sasha Panich

FOLEY EDITOR: Zach Schmitt, MPSE

VERNA FIELDS AWARD IN SOUND EDITING FOR STUDENT FILMS

SEA ODYSSEY

Savannah College of Art and Design

SUPERVISING SOUND EDITOR: Beau Anthony Jimenez

SUPERVISING FOLEY EDITOR: Eolyne Arnold

FOLEY ARTIST: Melissa Terry

SOUND EFFECTS EDITORS: Jacob Flack, Nick Caramela, Matt Yocum

DIALOGUE/ADR EDITOR: Kai Paquin