Guillermo del Toro poproszony został o wybór swoich najważniejszych filmów klasycznych, które zostały wydane przez prestiżowe Criterion Collection. W sumie na jego liście znalazło się 11 takich tytułów.
Wśród klasyków wybranych przez Guillermo del Toro znajdują
się filmy, takich twórców, jak m.in.: Jean Cocteau, bracia Coen, Carl Theodor
Dreyer, Alfred Hitchcock, Luis Bunuel i Terry Gilliam.
Oto lista Guillermo del Toro wraz z krótkimi opisani twórcy
(w oryginale):
1. Jean Cocteau’s “Beauty and the Beast” (1946)
“One of the most magical films ever made, one that truly is
in love with the sublime, sophisticated, Freudian quality that a fairy tale
really has.”
2. Joel and Ethan
Coen’s “Blood Simple” (1984)
“’Blood Simple’ contains most, if not all, of the
preoccupations the Coens will articulate throughout their career . . . It’s a
perfect first movie.”
3. Felipe Cazals’s
“Canoa: A Shameful Memory” (1976)
“’Canoa’ was part of the generation of films that changed
Mexican cinema . . . The screenplay is one of the most brilliant ever written .
. . Formally and thematically, it absolutely changes the game of what a Mexican
movie was able to portray: it breaks with censorship, it breaks with formal
rigidity and with what the state-funded cinema considered sanctionable.”
4. Georges Franju’s
“Eyes Without a Face” (1960)
“[The main character is] like an undead Audrey Hepburn. It
influenced me a lot with the contrast between beauty and brutality.”
5. Carl Theodor
Dreyer “Vampyr” (1932)
“The camera becomes a character in the film. It’s more than
a witness, it’s an active participant in the narrative, and therefore it’s
deeply cinematic.”
6. Alfred Hitchcock’s
“The Man Who Knew Too Much” (1934)
“There is a haphazard chaos that this version has that I
find completely charming . . . You can feel that [Hitchcock] is bringing all
the tools of the trade that he acquired in England for one great romp.”
7. Jean Renoir’s “La
chienne” (1931)
“Renoir is, above anything else, a humanist, and he doesn’t
judge anyone. There is an all-encompassing good will toward humanity in his
films.”
8. Luis Buñuel’s
“Viridiana” (1961)
“’Viridiana’ reconstructs Buñuel in many ways; it
reencounters his identity as a Spanish filmmaker and allows him to regain
European prestige, and later allows him to shoot movies everywhere in the
world. But it comes at a point when, I believe, he needed it the most.”
9. Masaki Kobayashi’s
“Kwaidan” (1965)
“It’s a fairy tale that is both incredibly scary and
incredibly beautiful and talks about love and death with equal passion.”
10. Terry Gilliam’s
“Time Bandits” (1981)
“With Gilliam, you feel that Time Bandits is a story that
must have been with us for centuries . . . There is an incredible humor, an
incredible cruelty, and an insatiable desire for fun and creativity that
embodies, for me, what a kids’ movie should be like.”
11. Víctor Erice’s
“The Spirit of the Beehive” (1973)
“’The Spirit of the Beehive’ is a movie that transformed my
life. Whatever I do in life, two shadows are cast upon my own: one is James
Whale’s Frankenstein, and the other one is Víctor Erice’s ‘The Spirit of the
Beehive,’ and they are both one and the same.”
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