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wtorek, 8 stycznia 2019

Kolejne gildie nominują

Free Solo
[SEZON NAGRÓD 2018/2019] Nominacje do swoich dorocznych nagród ogłosiło kilka kolejnych gildii. Są wśród nich bardzo ważni w oscarowej rozgrywce montażyści, są scenografowie oraz reżyserzy filmów dokumentalnych.

Gildia Montażystów Amerykańskich ogłosiła nominacje do swoich dorocznych nagród, które znane są jako Eddie Awards. W tym gronie znalazł się m.in. Alfonso Cuaron doceniony za „Romę”, ale też montażyści „Narodzin gwiazdy” czy „Bohemian Rhapsody”. Wszyscy oni zmierzą się w rywalizacji o tytuł najlepiej zmontowanego dramatu. Wśród montaży komedii są „Faworyta” i „Green Book”. Są też nominacje dla filmów dokumentalnych i seriali. Laureatów 9 edycji nagród poznamy 1 lutego.

Nominacje Gildii Montażystów (w oryginale):

BEST EDITED FEATURE FILM (DRAMATIC):
“BlacKkKlansman”
Barry Alexander Brown

“Bohemian Rhapsody”
John Ottman, ACE

“First Man”
Tom Cross, ACE

“Roma”
Alfonso Cuarón & Adam Gough

“A Star Is Born”
Jay Cassidy, ACE

BEST EDITED FEATURE FILM (COMEDY):
“Crazy Rich Asians”
Myron Kerstein

“Deadpool 2”
Craig Alpert, ACE, Elísabet Ronaldsdóttir & Dirk Westervelt

“The Favourite”
Yorgos Mavropsaridis, ACE

“Green Book”
Patrick J. Don Vito

“Vice”
Hank Corwin, ACE

BEST EDITED ANIMATED FEATURE FILM:
“Incredibles 2”
Stephen Schaffer, ACE

“Isle of Dogs”
Andrew Weisblum, ACE, Ralph Foster & Edward Bursch

“Spider-Man: Into the Spider-Verse”
Robert Fisher, Jr.

BEST EDITED DOCUMENTARY (FEATURE):
“Free Solo”
Bob Eisenhardt, ACE

“RBG”
Carla Gutierrez

“Three Identical Strangers”
Michael Harte

“Won’t You Be My Neighbor?”
Jeff Malmberg & Aaron Wickenden, ACE

BEST EDITED DOCUMENTARY (NON-THEATRICAL):
“A Final Cut for Orson: 40 Years in the Making”
Martin Singer

“Robin Williams: Come Inside My Mind”
Greg Finton, ACE & Poppy Das, ACE

“Wild Wild Country, Part 3”
Neil Meiklejohn

“The Zen Diaries of Garry Shandling”
Joe Beshenkovsky, ACE

BEST EDITED COMEDY SERIES FOR COMMERCIAL TELEVISION:
Atlanta: “Alligator Man”
Isaac Hagy

Atlanta: “Teddy Perkins”
Kyle Reiter

The Good Place: “Don’t Let the Good Life Pass You By”
Eric Kissack

Portlandia: “Rose Route”
Jordan Kim, Ali Greer, Heather Capps & Stacy Moon

BEST EDITED COMEDY SERIES FOR NON-COMMERCIAL TELEVISION:
Barry: “Make Your Mark”
Jeff Buchanan

Insecure: “Obsessed-Like”
Nena Erb, ACE

The Marvelous Mrs. Maisel: “Simone”
Kate Sanford, ACE

The Marvelous Mrs. Maisel: “We’re Going to the Catskills!”
Tim Streeto, ACE

BEST EDITED DRAMA SERIES FOR COMMERCIAL TELEVISION:
The Americans: “Start”
Daniel Valverde

Better Call Saul: “Something Stupid”
Skip Macdonald, ACE
Better Call Saul: “Winner”
Chris McCaleb

Killing Eve: “Nice Face”
Gary Dollner, ACE

BEST EDITED DRAMA SERIES FOR NON-COMMERCIAL TELEVISION:
Bodyguard: “Episode 1”
Steve Singleton

Homecoming: “Redwood”
Rosanne Tan

Ozark: “One Way Out”
Cindy Mollo, ACE & Heather Goodwin Floyd

Westworld: “The Passenger”
Andrew Seklir, ACE, Anna Hauger & Mako Kamitsuna

BEST EDITED MINISERIES OR MOTION PICTURE FOR TELEVISION:
The Assassination of Gianni Versace: American Crime Story: “A Random Killing”
Emily Greene

Escape at Dannemora: “Better Days”
Malcolm Jamieson & Geoffrey Richman ACE

Sharp Objects: “Milk”
Véronique Barbe, Dominique Champagne, Justin Lachance, Maxime Lahaie, Émile Vallée & Jai M. Vee

BEST EDITED NON-SCRIPTED SERIES:
Anthony Bourdain – Parts Unknown: “West Virginia”
Hunter Gross, ACE

Deadliest Catch: “Storm Surge”
Rob Butler, ACE

Naked & Afraid: “Fire and Fury”
Molly Shock, ACE and Jnani Butler

***

Gildia Scenografów dzieli swoje nagrody na kilka kategorii, w których docenia prace stworzone do filmów współczesnych, historycznych, fantastycznych i animowanych. Stąd tak trudno jednoznacznie wskazać na faworytów do Oscarów. Na liście są wszyscy liczący się kandydaci do nagród. Ja zwracam uwagę na nominacje dla filmów fantastycznych i animowanych, gdzie doceniono głównie duże hollywoodzkie produkcje.

Nominacje Gildii Scenografów (w oryginale):

NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR A FEATURE FILM:

1. PERIOD FILM

“THE BALLAD OF BUSTER SCRUGGS”
Production Designer: JESS GONCHOR

“BOHEMIAN RHAPSODY”
Production Designer: AARON HAYE

“THE FAVOURITE”
Production Designer: FIONA CROMBIE

“FIRST MAN”
Production Designer: NATHAN CROWLEY

“ROMA”
Production Designer: EUGENIO CABALLERO

2. FANTASY FILM

“BLACK PANTHER”
Production Designer: HANNAH BEACHLER

“FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD”
Production Designer: STUART CRAIG

“THE HOUSE WITH A CLOCK IN ITS WALLS”
Production Designer: JON HUTMAN

“MARY POPPINS RETURNS”
Production Designer: JOHN MYHRE

“READY PLAYER ONE”
Production Designer: ADAM STOCKHAUSEN

3. CONTEMPORARY FILM

“A QUIET PLACE”
Production Designer: JEFFREY BEECROFT

“A STAR IS BORN”
Production Designer: KAREN MURPHY

“CRAZY RICH ASIANS”
Production Designer: NELSON COATES

“MISSION: IMPOSSIBLE – FALLOUT”
Production Designer: PETER WENHAM

“WELCOME TO MARWEN”
Production Designer: STEFAN DECHANT

4. ANIMATED FILM

“DR. SEUSS’ THE GRINCH”
Art Director: COLIN STIMPSON

“INCREDIBLES 2”
Production Designer: RALPH EGGLESTON

“ISLE OF DOGS”
Production Designer: ADAM STOCKHAUSEN, PAUL HARROD

“RALPH BREAKS THE INTERNET”
Production Designer: CORY LOFTIS

“SPIDER-MAN: INTO THE SPIDER-VERSE”
Production Designer: JUSTIN K. THOMPSON

NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR TELEVISION ARE:

5. ONE-HOUR PERIOD OR FANTASY SINGLE-CAMERA SERIES

“A SERIES OF UNFORTUNATE EVENTS: “THE ERSATZ ELEVATOR: PART ONE” Production Designer: BO WELCH

“THE HAUNTING OF HILL HOUSE”: “THE BENT-NECK LADY”
Production Designer: PATRICIO M. FARRELL

“THE MAN IN THE HIGH CASTLE”: “NOW MORE THAN EVER, WE CARE ABOUT YOU,” “HISTORY ENDS,” “JAHR NULL”
Production Designer: DREW BOUGHTON

“THE MARVELOUS MRS. MAISEL”: “SIMONE,” “WE’RE GOING TO THE CATSKILLS!”
Production Designer: BILL GROOM

“WESTWORLD:” “AKANE NO MAI”
Production Designer: HOWARD CUMMINGS

6. ONE-HOUR CONTEMPORARY SINGLE-CAMERA SERIES

“BETTER CALL SAUL”: “PIÑATA,” “COUSHATTA”
Production Designer: JUDY RHEE

“CASTLE ROCK”: “THE BOX”
Production Designer: STEVE ARNOLD

“THE HANDMAID’S TALE”: “JUNE,” “UNWOMEN”
Production Designer: MARK WHITE, ELISABETH WILLIAMS

“HOUSE OF CARDS”: “EPISODE 627: CHAPTER 72”
Production Designer: JULIE WALKER

“OZARK”: “ONCE A LANGMORE…,” “THE GOLD COAST”
Production Designer: DEREK R. HILL

7. TELEVISION MOVIE OR LIMITED SERIES

“THE ALIENIST”: “THE BOY ON THE BRIDGE”
Production Designer: MARA LePERE-SCHLOOP

“AMERICAN HORROR STORY”: APOCALYPSE: “FIRE AND REIGN”
Production Designer: VALDAR WILT

“THE ASSASSINATION OF GIANNI VERSACE: AMERICAN CRIME STORY”
Production Designer: JUDY BECKER

“MANIAC”
Production Designer: ALEX DIGERLANDO

“SHARP OBJECTS”
Production Designer: JOHN PAINO

8. HALF HOUR SINGLE-CAMERA SERIES

“ATLANTA”: “TEDDY PERKINS”
Production Designer: TIMOTHY O’BRIEN

“GLOW:” “VIKING FUNERAL,” “PERVERTS ARE PEOPLE, TOO,” “ROSALIE”
Production Designer: TODD FJELSTED

“THE GOOD PLACE”: “JANET (S)”
Production Designer: IAN PHILLIPS

“HOMECOMING”: “MANDATORY”
Production Designer: ANASTASIA WHITE

“SILICON VALLEY”: “TECH EVANGELIST,” “ARTIFICIAL EMOTIONAL INTELLIGENCE”
Production Designer: RICHARD TOYON

9. MULTI-CAMERA SERIES

“THE BIG BANG THEORY”: “THE NOVELIZATION CORRELATION,” “THE SIBLING REALIGNMENT,” “THE BOW TIE ASYMMETRY”
Production Designer: JOHN SHAFFNER

“MURPHY BROWN”: “#MURPHYTOO”
Production Designer: JANE MUSKY

“THE RANCH”: “TRAVELIN’ PRAYER,” “TIE OUR LOVE (IN A DOUBLE KNOT),” “FRESH OUT OF FORGIVENESS”
Production Designer: JOHN SHAFFNER

“SESAME STREET”: “BOOK WORMING,” “THE COUNT’S COUNTING ERROR,” “STREET FOOD”
Production Designer: DAVID GALLO

“WILL & GRACE”: “THE THREE WISE MEN,” “TEX AND THE CITY,” “ANCHOR AWAY”
Production Designer: GLENDA ROVELLO

10. SHORT FORMAT: WEB SERIES, MUSIC VIDEO OR COMMERCIAL (TIE)

“APPLE”: “WELCOME HOME”
Production Designer: CHRISTOPHER GLASS

“ARIANA GRANDE”: “no tears left to cry”
Production Designer: ETHAN TOBMAN

“A TRIBE CALLED QUEST”: “THE SPACE PROGRAM”
Production Designer: KAI BOYDELL

“KENDRICK LAMAR”: “ALL THE STARS”
Production Designer: ETHAN TOBMAN

“NESPRESSO”: “QUEST”
Production Designer: MICHAEL GAW

“ROLEX:” “2018 ACADEMY AWARDS”
Production Designer: SHANE VALENTINO, CRAIG PAVILIONIS

11. VARIETY, REALITY OR EVENT SPECIAL

“DRUNK HISTORY”: “HALLOWEEN”
Production Designer: CHLOE ARBITURE

“JESUS CHRIST SUPERSTAR LIVE IN CONCERT”
Production Designer: JASON ARDIZZONE-WEST

“THE OSCARS: “90TH ANNUAL ACADEMY AWARDS”
Production Designer: DEREK McLANE

“PORTLANDIA:” “RIOT SPRAY”
Production Designer: SCHUYLER TELLEEN

“SATURDAY NIGHT LIVE”: “BILL HADER + ARCADE FIRE,” “JOHN MULANEY + JACK WHITE,” “DONALD GLOVER + CHILDISH GAMBINO”
Production Designer: KEITH RAYWOOD, EUGENE LEE, AKIRA
YOSHIMURA, JOSEPH DeTULLIO

***

Nominacje Gildii Reżyserów ogłoszono na razie jedynie dla twórców filmów dokumentalnych. I tutaj jest już ukształtowane grono zdecydowanych faworytów. Laureatów poznamy 2 lutego.

Nominacje Gildii Reżyserów (w oryginale):

MORGAN NEVILLE
“Won’t You Be My Neighbor?”
(Focus Features)

RAMELL ROSS
“Hale County This Morning, This Evening”
(Idiom Film and Louverture Films)

ELIZABETH CHAI VASARHELYI & JIMMY CHIN
“Free Solo”
(National Geographic Documentary Films)

TIM WARDLE
“Three Identical Strangers”
(Neon and CNN Films)

BETSY WEST & JULIE COHEN
“RBG”
(Magnolia Pictures)

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