Nominacje do Critics’ Choice Documentary Awards

[SEZON NAGRÓD 2019/2020] Kolejne znaczące nominacje do nagród dla filmów dokumentalnych. Critics Choice Association ogłosiło nominacje do swoich wyróżnień. Najwięcej szans na nagrody ma film “The Biggest Little Farm”, który zdobył ich siedem. O jedną mnie otrzymały „Apollo 11” i “They Shall Not Grow Old”.

Najważniejsza jest oczywiście kategoria doceniająca pełnometrażowe filmy dokumentalne. To z niej typowane będą zapewne kandydaci do Oscara. Jest w tym gronie wiele znaczących tytułów, kilka było już w Polsce na festiwalach i kinach, kilka trafi niedługo do regularnej dystrybucji. W tej drugiej grupie są: “The Biggest Little Farm”, “Honeyland”, “They Shall Not Grow Old”. Kilka dokumentów można znaleźć w internecie i są to m.in.: “American Factory”, “Knock Down the House” czy “Leaving Neverland”.

Jak podkreślają obserwatorzy rynku amerykańskiego, wśród nominowanych jest wiele dokumentów, które bardzo się spodobały i odniosły sukces w amerykańskich kinach.

Laureaci nagród ogłoszeni zostaną 10 listopada.

Lista nominowanych (w oryginale):

BEST DOCUMENTARY FEATURE

“American Factory” (Netflix)

“Apollo 11” (Neon)

“The Biggest Little Farm” (Neon)

“The Cave” (National Geographic)

“Honeyland” (Neon)

“The Kingmaker” (Showtime)

“Knock Down the House” (Netflix)

“Leaving Neverland” (HBO)

“Maiden” (Sony Pictures Classics)

“One Child Nation” (Amazon Studios)

“They Shall Not Grow Old” (Warner Bros.)

BEST DIRECTOR

Waad Al-Kateab and Edward Watts, “For Sama” (PBS)

Steven Bognar and Julia Reichert, “American Factory” (Netflix)

John Chester, “The Biggest Little Farm” (Neon)

Feras Fayyad, “The Cave” (National Geographic)

Peter Jackson, “They Shall Not Grow Old” (Warner Bros.)

Todd Douglas Miller, “Apollo 11” (Neon)

Nanfu Wang and Jialing Zhang, “One Child Nation” (Amazon Studios)

BEST CINEMATOGRAPHY

Ben Bernhard and Viktor Kossakovsky, “Aquarela” (Sony Pictures Classics)

John Chester, “The Biggest Little Farm” (Neon)

Fejmi Daut and Samir Ljuma, “Honeyland” (Neon)

Nicholas de Pencier, “Anthropocene: The Human Epoch” (Kino Lorber)

Muhammed Khair Al Shami, Ammar Suleiman, and Mohammad Eyad, “The Cave” (National Geographic)

Richard Ladkani, “Sea of Shadows” (National Geographic)

BEST EDITING

Georg Michael Fischer and Verena Schönauer, “Sea of Shadows” (National Geographic)

Todd Douglas Miller, “Apollo 11” (Neon)

Jabez Olssen, “They Shall Not Grow Old” (Warner Bros.)

Amy Overbeck, “The Biggest Little Farm” (Neon)

Lindsay Utz, “American Factory” (Netflix)

Nanfu Wang, “One Child Nation” (Amazon Studios)

BEST SCORE

Jeff Beal, “The Biggest Little Farm” (Neon)

Matthew Herbert, “The Cave” (National Geographic)

Matt Morton, “Apollo 11” (Neon)

Plan 9, “They Shall Not Grow Old” (Warner Bros.)

H. Scott Salinas, “Sea of Shadows” (National Geographic)

Eicca Toppinen, “Aquarela” (Sony Pictures Classics)

BEST NARRATION

“Anthropocene: The Human Epoch” (Kino Lorber)

Alicia Vikander, narrator

Jennifer Baichwal, writer

“The Biggest Little Farm” (Neon)

John Chester and Molly Chester, narrators

John Chester, writer

“The Edge of Democracy” (Netflix)

Petra Costa, narrator

Petra Costa, Carol Pires, David Barker and Moara Passoni, writers

“The Elephant Queen” (Apple)

Chiwetel Ejiofor, narrator

Mark Deeble, writer

“For Sama” (PBS)

Waad Al-Kateab, narrator

Waad Al-Kateab, writer

“Joseph Pulitzer: Voice of the People” (First Run)

Adam Driver, narrator

Oren Rudavsky and Bob Seidman, writers

“One Child Nation” (Amazon Studios)

Nanfu Wang, narrator

Nanfu Wang, writer

“Western Stars” (Warner Bros.)

Bruce Springsteen, narrator

Bruce Springsteen, writer

BEST FIRST DOCUMENTARY FEATURE

Midge Costin, “Making Waves: The Art of Cinematic Sound” (Matson Films)

A.J. Eaton, David Crosby: “Remember My Name” (Sony Pictures Classics)

Pamela B. Green, “Be Natural: The Untold Story of Alice Guy-Blaché” (Kino Lorber/Zeitgeist Films)

Tamara Kotevska and Ljubomir Stefanov, “Honeyland” (Neon)

Richard Miron, “For the Birds” (Dogwoof)

Garret Price, “Love, Antosha” (Lurker Films)

BEST ARCHIVAL DOCUMENTARY

“Amazing Grace” (Neon)

“Apollo 11” (Neon)

“Maiden” (Sony Pictures Classics)

“Mike Wallace is Here” (Magnolia)

“Pavarotti” (CBS Films)

“Rolling Thunder Revue: A Bob Dylan Story” by Martin Scorsese (Netflix)

“They Shall Not Grow Old” (Warner Bros.)

“What’s My Name: Muhammad Ali” (HBO)

BEST BIOGRAPHICAL DOCUMENTARY

“David Crosby: Remember My Name” (Sony Pictures Classics)

“The Kingmaker” (Showtime)

“Linda Ronstadt: The Sound of My Voice” (Greenwich)

“Love, Antosha” (Lurker Films)

“Mike Wallace is Here” (Magnolia)

“Pavarotti” (CBS Films)

“Toni Morrison: The Pieces I Am” (Magnolia)

BEST MUSIC DOCUMENTARY

“Amazing Grace” (Neon)

“David Crosby: Remember My Name” (Sony Pictures Classics)

“Linda Ronstadt: The Sound of My Voice” (Greenwich)

“Miles Davis: Birth of the Cool” (Abramorama)

“Pavarotti” (CBS Films)

“Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese” (Netflix)

“Western Stars” (Warner Bros.)

BEST POLITICAL DOCUMENTARY

“American Factory” (Netflix)

“The Edge of Democracy” (Netflix)

“Hail Satan?” (Magnolia)

“The Kingmaker” (Showtime)

“Knock Down the House” (Netflix)

“One Child Nation” (Amazon Studios)

BEST SCIENCE/NATURE DOCUMENTARY

“Anthropocene: The Human Epoch” (Kino Lorber)

“Apollo 11” (Neon)

“Aquarela” (Sony Pictures Classic)

“The Biggest Little Farm” (Neon)

“The Elephant Queen” (Apple)

“Honeyland” (Neon)

“Penguins” (Disney)

“Sea of Shadows” (National Geographic)

BEST SPORTS DOCUMENTARY

“Bethany Hamilton: Unstoppable” (Entertainment Studios)

“Diego Maradona” (HBO)

“Maiden” (Sony Pictures Classics)

“Rodman: For Better or Worse” (ESPN)

“The Spy Behind Home Plate” (Ciesla Foundation)

“What’s My Name: Muhammad Ali” (HBO)

MOST INNOVATIVE DOCUMENTARY

“Aquarela” (Sony Pictures Classics)

“Cold Case Hammarskjöld” (Magnolia)

“Rolling Thunder Revue: A Bob Dylan Story” by Martin Scorsese (Netflix)

“Screwball” (Greenwich)

“Serendipity” (Cohen Media)

“They Shall Not Grow Old” (Warner Bros.)

BEST SHORT DOCUMENTARY

“The Chapel at the Border” (Atlantic Documentaries)

(Director and Producer: Jeremy Raff)

“Death Row Doctor” (The New York Times Op-Docs)

(Director: Lauren Knapp)

“In the Absence” (Field of Vision)

(Director: Yi Seung-Jun. Producer: Gary Byung-Seok Kam)

“Lost World”

(Director and Producer: Kalyanee Mam. Producers: Adam Loften and Emmanuel Vaughan-Lee)

“Mack Wrestles” (ESPN)

(Directors and Producers: Taylor Hess and Erin Sanger. Producers: Erin Leyden and Gentry Kirby)

“Period. End of Sentence.” (Netflix)

(Director: Rayka Zehtabchi. Producers: Melissa Berton, Garrett K. Schiff and Lisa Taback)

“The Polaroid Job” (The New York Times Op-Docs)

(Director: Mike Plante)

“Sam and the Plant Next Door” (The Guardian)

(Director and Producer: Ömer Sami)

“The Unconditional”

(Director and Producer: Dave Adams. Producers: Adam Soltis, Renee Woodruff Adams, Josie Swantek Heitz, and Chris Tuss)

“The Waiting Room” (The Guardian)

(Director and Producer: Victoria Mapplebeck)

MOST COMPELLING LIVING SUBJECTS OF A DOCUMENTARY

Dr. Amani Ballor – “The Cave” (National Geographic)

David Crosby – “David Crosby: Remember My Name” (Sony Pictures Classics)

Tracy Edwards – “Maiden” (Sony Pictures Classics)

Imelda Marcos – “The Kingmaker” (Showtime)

Hatidze Muratova – “Honeyland” (Neon)

Alexandria Ocasio-Cortez, Amy Vilela, Cori Bush, and Paula Jean Swearengin – “Knock Down the House” (Netflix)

Linda Ronstadt – “Linda Ronstadt: The Sound of My Voice” (Greenwich)

Dr. Ruth Westheimer – “Ask Dr. Ruth” (Hulu)