Venice Classics. Odrestaurowane dzieła sztuki

Klasyka kina na najważniejszych festiwalach filmowych to informacja o tym, jakie dzieła sztuki filmowej doczekały się restauracji i zapewne cyfryzacji. Festiwal w Wenecji właśnie dostarczył takich informacji i już wiadomo, że w tym roku pojawi się tutaj sporo wartościowych propozycji.

Na festiwalu w Wenecji przyznana zostanie nagroda dla najlepiej odrestaurowanego filmu oraz nagroda dla najlepszego filmu dokumentalnego o kinie. Festiwal w Wenecji odbędzie się od 28 sierpnia do 7 września i klasyka zachwyci zapewne wielu widzów, którzy wypatrują takich filmowych wydarzeń. Na Lido pokazane zostaną m.in. dzieła Bernardo Bertolucciego, Federica Felliniego, Manoela de Oliveiry, Dennisa Hoppera, Martina Scorsese i Luisa Bunuela.

Oto te filmy (wersja angielska):

THE INCREDIBLE SHRINKING MAN

by JACK ARNOLD (USA, 1957, 81’, B/W)

restored by: Universal Pictures

LA COMMARE SECCA (THE GRIM REAPER)

by BERNARDO BERTOLUCCI (Italy, 1962, 92’, B/W)

restored by: CSC-Cineteca Nazionale in collaboration with RTI-Mediaset

STRATEGIA DEL RAGNO (THE SPIDER'S STRATAGEM)

by BERNARDO BERTOLUCCI (Italy, 1970, 110’, Colour)

restored by: Fondazione Cineteca di Bologna and Massimo Sordella in collaboration with Compass Film

ENSAYO DE UN CRIMEN (THE CRIMINAL LIFE OF ARCHIBALDO DE LA CRUZ)

by LUIS BUÑUEL (Mexico, 1955, 92’, B/W)

restored by: Cineteca Nacional México in collaboration with Sindicato de Trajadores de la Producción Cinematográfica

LE PASSAGE DU RHIN (THE CROSSING OF THE RHINE)

by ANDRÉ CAYATTE (France, Germany, Italy, 1960, 125’, B/W)

restored by: Gaumont

MARIA ZEF

by VITTORIO COTTAFAVI (Italy, 1981, 122’, Colour)

restored by: Rai Teche in collaboration with Cineteca del Friuli, Fuori Orario (Rai3) and Museo Nazionale del Cinema di Torino

CRASH

by DAVID CRONENBERG (Canada, 1996, 100’, Colour)

restored by: Recorded Picture Company and Turbine Media Group (with the supervision of David Cronenberg and DOP Peter Suschitzky)

FRANCISCA

by MANOEL DE OLIVEIRA (Portugal, 1981, 167’, Colour)

restored by: Cinemateca Portuguesa - Museu do Cinema

KHANEH SIAH AST (THE HOUSE IS BLACK)

by FOROUGH FARROKHZAD (Iran, 1962, 21’, B/W)

restored by: Fondazione Cineteca di Bologna and Ecran Noir productions, in collaboration with Ebrahim Golestan. With the support of Genoma Films and Mahrokh Eshaghian

LO SCEICCO BIANCO (THE WHITE SHEIK)

by FEDERICO FELLINI (Italy, 1952, 86’, B/W)

restored by: Fondazione Cineteca di Bologna in the context of “Fellini 100” project, in collaboration with RTI-Mediaset and Infinity

SODRÁSBAN (CURRENT)

by ISTVÁN GAÁL (Hungary, 1963, 85’, B/W)

restored by: Hungarian National Film Fund – Film Archive

TAPPE-HAYE MARLIK (THE HILLS OF MARLIK)

by EBRAHIM GOLESTAN (Iran, 1964, 15’, Colour)

restored by: Fondazione Cineteca di Bologna and Ecran Noir productions, in collaboration with Ebrahim Golestan and the National Film Archive of Iran. With the support of Mahrokh Eshaghian and Genoma Films

LA MUERTE DE UN BURÒCRATA (DEATH OF A BUREAUCRAT)

by TOMÁS GUTIÉRREZ ALEA (Cuba, 1966, 85’, B/W)

restored by: Academy of Motion Picture Arts and Sciences (Archive) and Cinemateca de Cuba

OUT OF THE BLUE

by DENNIS HOPPER (Canada, USA, 1980, 94’, Colour)

restored by: Discovery Productions (John Alan Simon and Elizabeth Karr)

EXTASE (ECSTASY)

by GUSTAV MACHATÝ (Czechoslovakia, 1932, 87’, B/W)

restored by: Národní filmový archiv (National Film Archive in Prague), thanks to the support of Milada Kučerová and Eduard Kučera and the collaboration of the Film Servis Festival Karlovy Vary

MAURI

by MERATA MITA (New Zealand, 1988, 100’, Colour)

restored by: New Zealand Film Commission

TIRO AL PICCIONE (PIGEON SHOOT)

by GIULIANO MONTALDO (Italy, 1961, 115’, B/W)

restored by: CSC-Cineteca Nazionale in collaboration with Surf Film

NEW YORK, NEW YORK

by MARTIN SCORSESE (USA, 1977, 163’, Colour)

New 35mm print courtesy of Metro Goldwyn Mayer (MGM), on the occasion of United Artists centennial anniversary

KALINA KRASNAYA (THE RED SNOWBALL TREE)

by VASILIY SHUKSHIN (URSS, 1973, 107’, Colour)

restored by: Mosfilm Cinema Concern (Karen Shakhnazarov producer of the restoration)

WAY OF A GAUCHO

by JACQUES TOURNEUR (USA, 1952, 91’, Colour)

restored by: Twentieth Century Fox and The Film Foundation