Polski film w półfinale Studenckich Oscarów

Krótkometrażowa etiuda fabularna w reżyserii Bartłomieja Błaszczyńskiego zatytułowana „Złamanie otwarte” znalazła się w gronie półfinalistów Studenckiego Oscara 2024. Do tego etapu przeszły 62 filmy spośród 2683 zgłoszonych. Film powstał w Szkole Filmowej im. Krzysztofa Kieślowskiego i jest to jedyny polski film, który walczy o Studenckiego Oscara.

Złamanie otwarte | reżyseria Bartłomiej Błaszczyński | scenariusz Katarzyna Błaszczyńska | zdjęcia Fryderyk Potoczek | kierownictwo produkcji Alicja Osiej, Dorota Damec i Monika Borówka | prod. Szkoła Filmowa im. Krzysztofa Kieślowskiego, Uniwersytet Śląski w Katowicach, 2024 r.

Basia (35), udaje przed mężem, że wszystko jest z nią w porządku. Na egzaminach wstępnych do szkoły aktorskiej poznaje Alicję (20 l) i jej niemowlę, którym się opiekuje. Po wymagającym występie i trudnej konfrontacji z mężem postanawia porwać dziecko Alicji i nieumyślnie naraża je na niebezpieczeństwo. Ten wstrząs sprawia, że Basia staje się gotowa na zmiany i uzdrowienie.

 

Pełna lista półfinalistów przedstawia się następująco:

Alternative/Experimental

Lena Marie Rheinländer, “Alba,” Zurich University of the Arts (Switzerland)

Michelle Manxue Ma, “Blue Desert,” New York University (United States)

Akshit Kumar, “bonVoyage pour monVoyage,” National Institute of Design (India)

Birdy Wei-Ting Hung, “A Brighter Summer Day for the Lady Avengers,” San Francisco State University (United States)

Van Galex, “Consummation,” University of Central Florida (United States)

María Agostina Menna Galetto, “Crescendo,” Universidad Abierta Interamericana (Argentina)

Tomás Orrego, “Fever,” Emerson College (United States)

Eloise Paltin, “Gurlsnight,” California Institute of the Arts (United States)

Chang Jia Wei, “Humanity No Longer Exist in the Great 5G Era,” National Taiwan University of Arts (Taiwan)

Sophia Wolfe & Christopher Miles Powers, “Icolette,” California State University, Northridge (United States)

Mingyu Tian, “Illusion of Ego,” Central Academy of Fine Arts (China)

Dori Walker, “In Living Memory,” Brown University (United States)

Lui Ching Karson, “Long-Dead,” Hong Kong Baptist University (China, Hong Kong)

Tom Potter, “Lullaby for the Lost,” Bournemouth Film School (United Kingdom)

Daniel Salas, “Wired,” Chapman University (United States)

 

Animation

Fiona Lu, “Always, Forever and Ever,” University of Southern California (United States)

Juliette Michel, Swann Valenza & Axel Sence, “Après Papi,” MoPA 3D Animation School (France)

Florian Maurice, Maxime Foltzer & Estelle Bonnardel, “Au Revoir Mon Monde,” MoPA 3D Animation School (France)

Katarina Fink, “Avenir,” San Francisco State University (United States)

Loic Girault, Grégoire Callies & Anna Danton, “Coquille,” École Supérieure des Métiers Artistiques (France)

Lisa Ott, “Dragfox,” National Film and Television School (United Kingdom)

Julia Grupińska, Tian Westraad & Ezequiel Garibay, “El Ombligo de la Luna,” Gobelins (France)

Kiki Jiang & Dashun Zhou, “Express Photo,” Ringling College of Art & Design (United States)

Julie Liao, “Hot!,” Ringling College of Art & Design (United States)

Corentin Gâteau-Reuzé, Imane Domon & Rodolf Soldati, “Le Prix de la Gloire,” École Supérieure des Métiers Artistiques (France)

Kei Kanamori, “Origami,” Digital Hollywood University (Japan)

Sarah Watson, “Piccolo Volo,” Huntington University (United States)

Jack Casserly, “Pinokidoki,” Technological University of the Shannon (Ireland)

Hadrien Maton, Quentin Wittevrongel & Arnaud Mege, “Stabat Mater,” Piktura, L'École de l'Image (France)

Spencer Baird, “Student Accomplice,” Brigham Young University (United States)

Hugo Docking, “To the Brink,” University of the West of England Bristol (United Kingdom)

 

Documentary

Kirsten Slemint, “Burnt Country,” National Film and Television School (United Kingdom)

Rishabh Raj Jain, “A Dream Called Khushi (Happiness),” New York University (United States)

Majiye Uchibeke, “I Am More Dangerous Dead,” University of Southern California (United States)

John Ortiz, “Jerhy,” University of California, Santa Cruz (United States)

Hannah Rafkin, “Keeper,” School of Visual Arts (United States)

Julia Pastrakova, “Limbo,” National Academy for Theatre and Film Arts (Bulgaria)

Luke Purdye, “Mail Order Queens,” National Film and Television School (United Kingdom)

Andjela Džaferović, “A New Beginning,” Fakultet Dramskih Umetnosti (Serbia)

Aaron Johnson, “The 17%,” Chapman University (United States)

Aracely Méndez, “The Sky Is Very Pretty,” Escuela de Cine Documental de San Cristóbal de Las Casas (Mexico)

Lisa Maslovskaya, “Still Ukrainian,” University of Oklahoma (United States)

Kokutekeleza Musebeni, “The Thoughts of Our Ancestors,” University of Television and Film Munich (Germany)

Zac Lazarou, “The Undertakers,” National Film and Television School (United Kingdom)

Samir Modi, “Untied Shoelaces,” National Film and Television School (United Kingdom)

Victor Cartas, André Gonzalez & Isabella Hernández, “Until God Remembers Us,” Universidad de Guadalajara (Mexico)

Joe Snelling, “The Waiter, the Scientist and Jenny,” National Film and Television School (United Kingdom)

 

Narrative

Reuben Hamlyn, “Bitter Weeds,” New York University (United States)

Pavel Sýkora & Viktor Horák, “The Compatriot,” Filmová Akademie Miroslava Ondříčka v Písku (Czech Republic)

Jens Kevin Georg, “Crust,” Konrad Wolf Film University of Babelsberg (Germany)

Reza Sam Mosadegh, “Echoes of Juno,” Hamburg Media School (Germany)

Margherita Ferrari, “FÖA,” Centro Sperimentale di Cinematografia (Italy)

Lu Lu, “Invocation,” London Film School (United Kingdom)

Roger Torres, “Irma,” Chapman University (United States)

Luke J. Salewski, “The Lights Above,” University of Southern California (United States)

Chia-Wei Chang, “Line of Dance,” National Taiwan University of Arts (Taiwan)

Robin Wang, “Neither Donkey nor Horse,” University of Southern California (United States)

Oscar Simmons, “Photograph 1,” National Film and Television School (United Kingdom)

Bartłomiej Błaszczyński, “Take Me to Her,” Krzysztof Kieślowski Film School, University of Silesia (Poland)

Simon van der Zande, “Thank You for Your Patience!,” Koninklijke Academie voor Schone Kunsten (Belgium)

Sarah Blok, “Trouble,” National Film and Television School (United Kingdom)

Kyle Walker, “When Cigarettes Taste Like Blood,” Morehouse College (United States)