Nominacje do Critics Choice Documentary Awards

 

Sezon Nagród jeszcze nie wystartował, ale powoli odsłaniane są kolejne znaczące wydarzenia podsumowujące mijający rok. Na czele nominacji do Critics Choice Documentary Awards znalazły się „14th”, „You Can See Everything” i „Once Upon a Time in Harlem”.

Film Avy DuVernay „14th” prowadzi w tegorocznych nominacjach do Critics Choice Documentary Awards z sześcioma nominacjami, w tym dla najlepszego filmu dokumentalnego. Tuż za nim, z pięcioma nominacjami, znalazły się: „You Can See Everything” Nathana Fieldera i Lance'a Oppenheima opowiadających o Elizabeth Holmes; „Nuisance Bear” Gabrieli Osio Vanden i Jacka Weismana, historia migracji niedźwiedzi polarnych; „Once Upon a Time in Harlem” Davida Greavesa, archiwalny portret historii kultury Afroamerykanów oraz irański dokument historyczny Pegah Ahangarani „Rehearsals for a Revolution”.

W gronie najlepszych pełnometrażowych filmów dokumentalnych znalazły się także: “Everest: The Other Side”, “Everybody to Kenmure Street”, “The History of Concrete”, “Musk”, “Naza”, “Remake”. Lista nominacji to także ciekawa wskazówka dla poszukujących ciekawych produkcji dokumentalnych, a szczególną uwagę warto poświęcić produkcjom politycznym, historycznym i biograficznym.

Netflix okazał się liderem wśród dystrybutorów z 17 nominacjami, niemal dwukrotnie większą od dziewięciu nominacji, które zdobył drugi na liście Neon. Laureatów nagród poznamy 8 listopada. Lista nominacji poniżej.

 

Best Documentary Feature

“14th” (Netflix)

“Everest: The Other Side” (National Geographic Documentary Films)

“Everybody to Kenmure Street” (Icarus Films)

“The History of Concrete” (Magnolia Pictures)

“Musk” (Bleecker Street)

“Naza” (The Guardian / MK2 Films)

“Once Upon a Time in Harlem” (Neon)

“Rehearsals for a Revolution” (Sony Pictures Classics)

“Remake” (Music Box Films)

“You Can See Everything” (A24)

 

Best Director

Yuval Abraham and Rachel Szor — “Naza” (The Guardian / MK2 Films)

Felipe Bustos Sierra — “Everybody to Kenmure Street” (Icarus Films)

Ava DuVernay — “14th” (Netflix)

Nathan Fielder and Lance Oppenheim — “You Can See Everything” (A24)

Ross McElwee — “Remake” (Music Box Films)

Orlando von Einsiedel — “The Cycle of Love” (Variance Films)

 

Best First Documentary Feature

David Greaves — “Once Upon a Time in Harlem” (Neon)

Baz Luhrmann — “EPiC: Elvis Presley in Concert” (Neon)

Gabriela Osio Vanden and Jack Weisman — “Nuisance Bear” (Mubi)

Xander Robin — “The Python Hunt” (Oscilloscope Laboratories)

Poh Si Teng — “American Doctor” (Watermelon Pictures)

John Wilson — “The History of Concrete” (Magnolia Pictures)

 

Best Cinematography

David Bolen — “You Can See Everything” (A24)

David Bolen and Matt Clegg — “The Python Hunt” (Oscilloscope Laboratories)

Sophie Darlington — “Lion” (National Geographic)

Franklin Dow — “The Cycle of Love” (Variance Films)

Gabriela Osio Vanden and Jack Weisman — “Nuisance Bear” (Mubi)

Clair Popkin, Jimmy Chin and Christopher Murphy — “Everest: The Other Side” (National Geographic Documentary Films)

 

Best Editing

Spencer Averick — “14th” (Netflix)

Anne de Mare and Lynn True — “Once Upon a Time in Harlem” (Neon)

Adam Locke-Norton — “You Can See Everything” (A24)

Colin Monie — “Everybody to Kenmure Street” (Icarus Films)

Jonathan Redmond — “EPiC: Elvis Presley in Concert” (Neon)

Cori Wapnowska — “The History of Concrete” (Magnolia Pictures)

 

Best Narration

“The AI Doc: Or How I Became an Apocaloptimist” (Focus Features) — Written by Daniel Roher and Caroline Lindy; Performed by Daniel Roher and Caroline Lindy

“The History of Concrete” (Magnolia Pictures) — Written by John Wilson; Performed by John Wilson

“Lorne” (Focus Features) — Written by Morgan Neville, Alan Lowe and Jake Hostetter; Performed by Chris Parnell

“Nuisance Bear” (Mubi) — Written by Mike Tunalaaq Gibbons; Performed by Mike Tunalaaq Gibbons

“Rehearsals for a Revolution” (Sony Pictures Classics) — Written by Pegah Ahangarani; Performed by Pegah Ahangarani

“Remake” (Music Box Films) — Written by Ross McElwee; Performed by Ross McElwee

 

Best Music Score

Ari Balouzian — “You Can See Everything” (A24)

Dan Deacon — “Time and Water” (National Geographic Documentary Films)

Caroline Ho — “Everest: The Other Side” (National Geographic Documentary Films)

Jason Moran — “14th” (Netflix)

Cristóbal Tapia de Veer — “Nuisance Bear” (Mubi)

Hans Zimmer, Niccolò Pacella and George Hutson Warren — “Lion” (National Geographic)

 

Best Music Documentary

“Earth, Wind & Fire (To Be Celestial vs. That’s the Weight of the World)” (HBO Max)

“EPiC: Elvis Presley in Concert” (Neon)

“Man on the Run” (Amazon MGM Studios)

“Oasis: Don’t Look Back in Anger” (Walt Disney Studios Motion Pictures)

“Peter Asher: Everywhere Man” (Greenwich Entertainment)

“Sara Bareilles: Good Grief” (Group Effort Films / Naked Edge Films)

 

Best Political Documentary

“14th” (Netflix)

“American Doctor” (Watermelon Pictures)

“Ask E. Jean” (Abramorama)

“Everybody to Kenmure Street” (Icarus Films)

“Musk” (Bleecker Street)

“NAZA” (The Guardian / MK2 Films)

“Union Town” (Cabin Creek Films)

 

Best Historical Documentary

“14th” (Netflix)

“Once Upon a Time in Harlem” (Neon)

“Rehearsals for a Revolution” (Sony Pictures Classics)

“SCTV: The Greatest Show You’ve Never Heard Of” (Netflix)

“Soul Patrol” (Kino Lorber)

“Turning Point: Generation 9/11″ (Netflix)

 

Best Biographical Documentary

“Avedon” (Netflix)

“Jean-Michel Basquiat” (Netflix)

“Lorne” (Focus Features)

“Marty, Life Is Short” (Netflix)

“Mel Brooks: The 99-Year-Old Man!” (HBO Max)

“Musk” (Bleecker Street)

 

Best Archival Documentary

“EPiC: Elvis Presley in Concert” (Neon)

“Making Marie Antoinette” (Mubi)

“Man on the Run” (Amazon MGM Studios)

“Once Upon a Time in Harlem” (Neon)

“Rehearsals for a Revolution” (Sony Pictures Classics)

“Remake” (Music Box Films)

 

Best Science/Nature Documentary

“The AI Doc: Or How I Became an Apocaloptimist” (Focus Features)

“Ghost Elephants” (National Geographic Documentary Films)

“Lion” (National Geographic)

“Nuisance Bear” (Mubi)

“Secrets of the Bees” (National Geographic)

“Time and Water” (National Geographic Documentary Films)

 

Best Sports Documentary

“The Dynasty: UConn Huskies” (Apple TV)

“Everest: The Other Side” (National Geographic Documentary Films)

“Give Me the Ball!” (ESPN)

“Rafa” (Netflix)

“Standout: The Ben Kjar Story” (Samuel Goldwyn Films)

“Tyson” (Netflix)

 

Best True Crime Documentary

“Baby Doe” (Narrative Distribution)

“Funny Money: The Dane Cook Story” (Dark Star Pictures)

“The Idaho Murders: College Nightmare” (Netflix)

“A Killer Story” (HBO Max)

“Lost Women of Alaska” (Investigation Discovery)

“Murder in Glitterball City” (HBO Max)

 

Best Short Documentary

“The Baddest Speechwriter of All” (Netflix)

“A Derailment” (POV)

“Escalation” (Bonfire Films)

“Miller Night Football” (HBO Max)

“Oh Whale” (The New Yorker / Switchboard Magazine)

“The Second Life of Freddie Nole” (Sweet World Films)

“A Short Documentary About a Giant Pencil” (archilux)

“They’re Here” (Praxis Films)

 

Best Limited Documentary Series

“9/11: Reunited” (National Geographic)

“The Dark Wizard” (HBO Max)

“The Dynasty: UConn Huskies” (Apple TV)

“High Horse: The Black Cowboy” (Peacock)

“Lion” (National Geographic)

“The Man Will Burn” (HBO Max)

“Rafa” (Netflix)

 

Best Ongoing Documentary Series

“30 for 30″ (ESPN)

“American Masters” (PBS)

“America’s Sweethearts: Dallas Cowboys Cheerleaders” (Netflix)

“The Food That Built America” (History)

“Hazardous History with Henry Winkler” (History)

“Independent Lens” (PBS)

“Untold” (Netflix)