Pod koniec zeszłego roku Sight and Sound ogłosiło listę najlepszych filmów wszech czasów. Wyniki pierwszej setki wzbudziły sporo emocji, zabrakło tam wielu cenionych tytułów, pojawiło się sporo innych, budzących wątpliwości i emocje. Jak to na takich listach. Kilka dni temu pojawiło się uzupełnienie zestawienia, powiększone do 250 pozycji. Jest tam wiele filmów wcześniej pominiętych.
Lista została powiększona do 250 pozycji, ale nie znajdziemy tutaj żadnego polskiego filmu. Za to mamy już dwa filmy polskich reżyserów. W zestawieniu jest Roman Polański z „Chinatown” i Andrzej Żuławski z „Opętaniem”. Przed wszystkim jest tu jednak wiele filmów, szerzej rozpoznawalnych, ale także ważnych dla historii kina. Są więc „Szczęki” i „Poszukiwacze zaginionej arki”, jest „Pult Fiction”, „Coś”, „Aż poleje się krew”, „Matrix”, „Obcy – 8 pasażer Nostromo”, „Gorączka” a z tych wielkich widzę „Lawrence’a z Arabii”, „Idź i patrz”, „Fanny i Alexander”, „Wszystko o mojej matce”, „Dawno temu w Ameryce”, „Amarcord”, są „Ptaki” Hitchcocka, „Ran”, „Paryż, Teksas”, „Nosferatu – symfonia grozy”… i tylko jeden film Woody’ego Allena na odległej pozycji.
LISTA NAJLEPSZYCH FILMÓW WSZECH CZASÓW WEDŁUG BFI/SIGHT AND SOUND, POZYCJE 1-100 >>>
101. (TIE) Rio Bravo (Howard Hawks, 1958 USA)
101. (TIE) The House Is Black (Forough Farokhzad, 1962 Iran)
101. (TIE) Vagabond (Agnès Varda, 1985 France, United Kingdom)
104. (TIE) La Maman et la Putain (Jean Eustache, 1973 France)
104. (TIE) Come and See (Elem Klimov, 1985 USSR)
104. (TIE) Jaws (Steven Spielberg, 1975 USA)
104. (TIE) The Godfather Part II (Francis Ford Coppola, 1974 USA)
108. (TIE) Goodbye, Dragon Inn (Tsai Ming-liang, 2003 Taiwan)
108. (TIE) The Wizard of Oz (Victor Fleming, 1939 USA)
108. (TIE) Wild Strawberries (Ingmar Bergman, 1957 Sweden)
108. (TIE) Touch of Evil (Orson Welles, 1958 USA)
108. (TIE) The Man Who Shot Liberty Valance (John Ford, 1962 USA)
108. (TIE) Bringing Up Baby (Howard Hawks, 1938 USA)
114. (TIE) To Be or Not to Be (Ernst Lubitsch, 1942 USA)
114. (TIE) A Woman under the Influence (John Cassavetes, 1974 USA)
114. (TIE) Nashville (Robert Altman, 1975 USA)
114. (TIE) Don't Look Now (Nicolas Roeg, 1973 United Kingdom, Italy)
118. (TIE) Aguirre, Wrath of God (Werner Herzog, 1972 Federal Republic of Germany)
118. (TIE) The Conformist (Bernardo Bertolucci, 1970 Italy, France, Federal Republic of Germany)
118. (TIE) The Texas Chain Saw Massacre (Tobe Hooper, 1974 USA)
118. (TIE) The Thing (John Carpenter, 1982 USA)
122. (TIE) There Will Be Blood (Paul Thomas Anderson, 2007 USA)
122. (TIE) The Matrix (The Wachowskis, 1999 USA, Australia)
122. (TIE) The Colour of Pomegranates (Sergei Paradjanov, 1968 USSR)
122. (TIE) Johnny Guitar (Nicholas Ray, 1954 USA)
122. (TIE) The Umbrellas of Cherbourg (Jacques Demy, 1964 France, Federal Republic of Germany)
122. (TIE) Only Angels Have Wings (Howard Hawks, 1939 USA)
128. The Ascent (Larissa Shepitko, 1976 USSR
129. (TIE) Fanny and Alexander (Ingmar Bergman, 1982 Sweden, France, Federal Republic of Germany)
129. (TIE) His Girl Friday (Howard Hawks, 1939 USA)
129. (TIE) Raging Bull (Martin Scorsese, 1980 USA)
129. (TIE) Pulp Fiction (Quentin Tarantino, 1994 USA)
129. (TIE) Lawrence of Arabia (David Lean, 1962 United Kingdom)
133. (TIE) Notorious (Alfred Hitchcock, 1946 USA)
133. (TIE) It's a Wonderful Life (Frank Capra, 1947 USA)
136. (TIE) La ciénaga (Lucrecia Martel, 2001 Argentina, USA, Japan, France, Switzerland, Spain, Brazil)
136. (TIE) Les Enfants du paradis (Marcel Carné, 1945 France)
136. (TIE) The Wild Bunch (Sam Peckinpah, 1969 USA)
136. (TIE) Sambizanga (Sarah Maldoror, 1972 Angola, France, Congo)
136. (TIE) Trouble in Paradise (Ernst Lubitsch, 1932 USA)
136. (TIE) The Seventh Seal (Ingmar Bergman, 1957 Sweden)
136. (TIE) Pickpocket (Robert Bresson, 1959 France)
136. (TIE) Partie de campagne (Jean Renoir, 1936 France)
136. (TIE) All That Heaven Allows (Douglas Sirk, 1955 USA)
136. (TIE) Gertrud (Carl Th. Dreyer, 1964 Denmark)
146. (TIE) The Watermelon Woman (Cheryl Dunye, 1997 USA)
146. (TIE) Vampyr (Carl Th. Dreyer, 1932 Germany, France)
146. (TIE) Alien (Ridley Scott, 1979 USA, United Kingdom)
146. (TIE) India Song (Marguerite Duras, 1975 France)
146. (TIE) La Grande Illusion (Jean Renoir, 1937 France)
146. (TIE) Chinatown (Roman Polański, 1974 USA)
152. (TIE) Twin Peaks: The Return (David Lynch, 2017 USA)
152. (TIE) West Indies: The Fugitive Slaves of Liberty (Med Hondo, 1979 France, Mauritania)
152. (TIE) Days of Heaven (Terrence Malick, 1978 USA)
152. (TIE) Meghe Dhaka Tara (Ritwik Ghatak, 1960 India)
152. (TIE) Le Bonheur (Agnès Varda, 1965 France)
157. (TIE) West of the Tracks (Wang Bing, 2002 People's Republic of China)
157. (TIE) Orlando (Sally Potter, 1992 United Kingdom, Russian Federation, Italy, France, Netherlands)
157. (TIE) A City of Sadness (Hou Hsiao-Hsien, 1989 Taiwan)
157. (TIE) All About My Mother (Pedro Almodóvar, 1999 Spain, France)
157. (TIE) Where Is the Friend's House? (Abbas Kiarostami, 1987 Iran)
157. (TIE) The Gospel According to St. Matthew (Pier Paolo Pasolini, 1964 Italy, France)
157. (TIE) Once Upon a Time in America (Sergio Leone, 1983 USA, Italy)
157. (TIE) Amarcord (Federico Fellini, 1972 Italy, France)
157. (TIE) Vivre sa vie (Jean-Luc Godard, 1962 France)
157. (TIE) Out of the Past (Jacques Tourneur, 1947 USA)
157. (TIE) Ikiru (Akira Kurosawa, 1952 Japan)
157. (TIE) Los olvidados (Luis Buñuel, 1950 Mexico)
169. (TIE) Last Year at Marienbad (Alain Resnais, 1961 France, Italy)
169. (TIE) L'Argent (Robert Bresson, 1983 France, Switzerland)
169. (TIE) Un chien andalou (Luis Buñuel, 1928 France)
169. (TIE) Out 1 (Jacques Rivette, 1990 France)
169. (TIE) Symbiopsychotaxiplasm: Take One (William Greaves, 1967 USA)
169. (TIE) Heat (Michael Mann, 1995 USA)
169. (TIE) Under the Skin (Jonathan Glazer, 2013 United Kingdom, USA, Switzerland)
169. (TIE) The Exterminating Angel (Luis Buñuel, 1962 Mexico)
169. (TIE) Memories of Underdevelopment (Tomás Gutiérrez Alea, 1968 Cuba)
169. (TIE) Black Narcissus (Michael Powell, Emeric Pressburger, 1947 United Kingdom)
169. (TIE) Red Desert (Michelangelo Antonioni, 1964 Italy, France)
169. (TIE) The Good, the Bad and the Ugly (Sergio Leone, 1966 Italy)
169. (TIE) Charulata (Satyajit Ray, 1964 India)
169. (TIE) Letter from an Unknown Woman (Max Ophuls, 1948 USA)
169. (TIE) Hiroshima mon amour (Alain Resnais, 1959 France, Japan)
169. (TIE) The Magnificent Ambersons (Orson Welles, 1942 USA)
185. (TIE) Magnolia (Paul Thomas Anderson, 1999 USA)
185. (TIE) Wings of Desire (Wim Wenders, 1987 Federal Republic of Germany, France)
185. (TIE) Pyaasa (Guru Dutt, 1957 India)
185. (TIE) Ran (Akira Kurosawa, 1985 France, Japan)
185. (TIE) Greed (Erich von Stroheim, 1923 USA)
185. (TIE) Love Streams (John Cassavetes, 1984 USA)
185. (TIE) An Autumn Afternoon (Yasujirō Ozu, 1962 Japan)
185. (TIE) The River (Jean Renoir, 1951 USA)
185. (TIE) The Birds (Alfred Hitchcock, 1963 USA)
185. (TIE) Les Demoiselles de Rochefort (Jacques Demy, 1967 France)
185. (TIE) Paris, Texas (Wim Wenders, 1984 Federal Republic of Germany, France, United Kingdom)
196. (TIE) Paris Is Burning (Jennie Livingston, 1990 USA, United Kingdom)
196. (TIE) The Headless Woman (Lucrecia Martel, 2008 Argentina, Spain, France, Italy)
196. (TIE) Uncle Boonmee Who Can Recall His Past Lives (Apichatpong Weerasethakul, 2010 Thailand, United Kingdom, France, Germany, Spain, Netherlands)
196. (TIE) The Tree of Life (Terrence Malick, 2010 USA)
196. (TIE) Mad Max: Fury Road (George Miller, 2015 USA, Australia)
196. (TIE) Zama (Lucrecia Martel, 2017 Argentina, Brazil, Spain, France, Mexico, Netherlands, Monaco, Portugal, USA, Lebanon, United Kingdom, Dominican Republic)
196. (TIE) Paisan (Roberto Rossellini, 1946 Italy)
196. (TIE) Nosferatu (F.W. Murnau, 1922 Germany)
196. (TIE) One Way or Another (Sara Gómez, 1977 Cuba)
196. (TIE) Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1963 United Kingdom, USA)
196. (TIE) Double Indemnity (Billy Wilder, 1944 USA)
196. (TIE) L' eclisse (Michelangelo Antonioni, 1962 Italy, France)
196. (TIE) I Know Where I'm Going! (Michael Powell, Emeric Pressburger, 1945 United Kingdom)
196. (TIE) Wavelength (Michael Snow, 1967 Canada)
196. (TIE) The Life and Death of Colonel Blimp (Michael Powell, Emeric Pressburger, 1943 United Kingdom)
211. (TIE) Limite (Mário Peixoto, 1931 Brazil)
211. (TIE) Raiders of the Lost Ark (Steven Spielberg, 1981 USA)
211. (TIE) Pink Flamingos (John Waters, 1972 USA)
211. (TIE) Twin Peaks: Fire Walk With Me (David Lynch, 1992 USA)
211. (TIE) Twenty Years Later (Eduardo Coutinho, 1984 Brazil)
211. (TIE) Melancholia (Lars von Trier, 2011 Denmark, Sweden, France, Germany, Italy)
211. (TIE) Army of Shadows (Jean-Pierre Melville, 1969 France, Italy)
211. (TIE) The Deer Hunter (Michael Cimino, 1978 USA)
211. (TIE) In a Lonely Place (Nicholas Ray, 1950 USA)
211. (TIE) Suspiria (Dario Argento, 1977 Italy)
211. (TIE) Brief Encounter (David Lean, 1945 United Kingdom)
211. (TIE) All about Eve (Joseph L. Mankiewicz, 1950 USA)
211. (TIE) Duck Soup (Leo McCarey, 1933 USA)
211. (TIE) By the Bluest of Seas (Boris Barnet, 1935 USSR)
225. (TIE) The Green Ray (Eric Rohmer, 1986 France)
225. (TIE) Grave of the Fireflies (Isao Takahata, 1988 Japan)
225. (TIE) Blue (Derek Jarman, 1993 United Kingdom, Japan)
225. (TIE) Crash (David Cronenberg, 1996 Canada)
225. (TIE) Happy Together (Wong Kar Wai, 1997 Hong Kong)
225. (TIE) Flowers of Shanghai (Hou Hsiao-Hsien, 1998 Taiwan, Japan)
225. (TIE) As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty (Jonas Mekas, 2000 USA)
225. (TIE) Petite maman (Céline Sciamma, 2021 France)
225. (TIE) Je, tu, il, elle (Chantal Akerman, 1974 Belgium)
225. (TIE) A Touch of Zen (King Hu, 1969 Taiwan)
225. (TIE) The Crowd (King Vidor, 1928 USA)
225. (TIE) Napoléon (Abel Gance, 1927 France)
225. (TIE) Europa '51 (Roberto Rossellini, 1952 Italy)
225. (TIE) The Hour of the Furnaces (Fernando Solanas, 1968 Argentina)
225. (TIE) Intolerance (D.W. Griffith, 1916 USA)
225. (TIE) Star Wars (George Lucas, 1977 USA)
225. (TIE) Cries and Whispers (Ingmar Bergman, 1972 Sweden)
225. (TIE) Harlan County USA (Barbara Kopple, 1976 USA)
243. (TIE) The Last Laugh (F.W. Murnau, 1924 Germany)
243. (TIE) The Quince Tree Sun (Víctor Erice, 1992 Spain)
243. (TIE) Taste of Cherry (Abbas Kiarostami, 1997 Iran)
243. (TIE) Werckmeister Harmonies (Béla Tarr, 2000 Hungary, Germany, France, Switzerland, Italy)
243. (TIE) In Vanda's Room (Pedro Costa, 2000 Portugal, Germany, Switzerland)
243. (TIE) Morvern Callar (Lynne Ramsay, 2001 United Kingdom, Canada)
243. (TIE) The Intruder (Claire Denis, 2004 France, Republic of Korea)
243. (TIE) Syndromes and a Century (Apichatpong Weerasethakul, 2006 Thailand, France, Austria, Netherlands)
243. (TIE) Nostalgia for the Light (Patricio Guzmán, 2010 France, Germany, Chile, Spain, USA)
243. (TIE) Distant Voices, Still Lives (Terence Davies, 1988 United Kingdom, Federal Republic of Germany)
243. (TIE) Soleil Ô (Med Hondo, 1970 France)
243. (TIE) Possession (Andrzej Żuławski, 1981 France, Federal Republic of Germany)
243. (TIE) Videodrome (David Cronenberg, 1983 Canada)
243. (TIE) A Canterbury Tale (Michael Powell, Emeric Pressburger, 1944 United Kingdom)
243. (TIE) A Clockwork Orange (Stanley Kubrick, 1971 USA, United Kingdom)
243. (TIE) Mouchette (Robert Bresson, 1966 France)
243. (TIE) My Darling Clementine (John Ford, 1946 USA)
243. (TIE) Earth (Alexander Dovzhenko, 1930 USSR)
243. (TIE) Annie Hall (Woody Allen, 1977 USA)
243. (TIE) Sullivan's Travels (Preston Sturges, 1941 USA)
243. (TIE) Pandora's Box (G.W. Pabst, 1928 Germany)
243. (TIE) Born in Flames (Lizzie Borden, 1983)
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