poniedziałek, 4 stycznia 2016

Najlepiej zmontowane filmy 2015 roku


Ogłoszono nominacje do 66. edycji nagród American Cinema Editors. Wśród docenionych do ACE Eddie Awards znalazły się nowe „Gwiezdne wojny” i „Mad Max”.

Sześć najlepiej zmontowanych dramatycznych filmów 2015 roku w amerykańskim kinie to: “Star Wars: The Force Awakens”, “Mad Max: Fury Road”, “The Martian”, “The Revenant” i “Sicario”. W ostatnich 12 latach, aż 9 laureatów ACE Eddie Awards po wygraniu tego wyróżnienia w dramacie, zdobywało potem Oscara.

Najlepiej zmontowane komedie lub musicale to: „Ant-Man”, „The Big Short”, „Joy”, “Me and Earl and the Dying Girl” oraz “Trainwreck”.

Laureatów poznamy 29 stycznia. Pełna lista nominowanych (w oryginale):

Best Edited Feature Film (Dramatic):

Mad Max: Fury Road
Margaret Sixel

The Martian
Pietro Scalia, ACE

The Revenant
Stephen Mirrione, ACE

Sicario
Joe Walker, ACE

Star Wars: The Force Awakens
Maryann Brandon, ACE and Mary Jo Markey, ACE

Best Edited Feature Film (Comedy):

Ant-Man
Dan Lebental, ACE and Colby Parker, Jr., ACE

The Big Short
Hank Corwin, ACE

Joy
Jay Cassidy, ACE, Alan Baumgarten, ACE, Christopher Tellefsen, ACE and Tom Cross, ACE

Me and Earl and the Dying Girl
David Trachtenberg

Trainwreck
William Kerr, ACE and Paul Zucker

Best Edited Animated Feature Film:

Anomalisa
Garret Elkins

Inside Out
Kevin Nolting, ACE

The Good Dinosaur
Stephen Schaffer, ACE         

Best Edited Documentary (Feature):

Amy
Chris King

Cobain: Montage of Heck
Joe Beshenkovsky and Brett Morgen

Going Clear: Scientology and the Prison of Belief
Andy Grieve

He Named Me Malala
Greg Finton, ACE, Brian Johnson and Brad Fuller

The Wrecking Crew
Claire Scanlon

Best Edited Documentary (Television):

Keith Richards: Under the Influence
Joshua L. Pearson                                           

The Jinx: The Life and Deaths of Robert Durst "Chapter 1"
Richard Hankin, ACE, Zac Stuart-Pontier, Caitlyn Greene, Shelby Siegel

The Seventies: The United State vs. Nixon
Chris A. Peterson, ACE

Best Edited Half-Hour Series for Television:

Inside Amy Schumer: "12 Angry Men"
Nick Paley

Silicon Valley: "Two Days of the Condor"
Brian Merken, ACE

Veep: "Election Night"
Gary Dollner

Best Edited One-Hour Series for Commercial Television:

Better Call Saul: "Five-O"
Kelley Dixon, ACE

Better Call Saul: “Uno”
Skip Macdonald, ACE

Fargo: “Did You Do This? No, You Did It!”
Skip Macdonald, ACE and Curtis Thurber

The Good Wife: “Restrain”
Scott Vickrey, ACE

Mad Men: “Person to Person”
Tom Wilson

Best Edited One-Hour Series for Non-Commercial Television:

Game of Thrones: "The Dance of Dragons"
Katie Weiland

Game of Thrones: "Hardhome"
Tim Porter

Homeland: “The Tradition of Hospitality”
Harvey Rosenstock, ACE

House of Cards: “Chapter 39”
Lisa Bromwell, ACE

The Knick: “Wonderful Surprises”
Mary Ann Bernard

Best Edited Longform (Miniseries or Motion Picture) for Television:

Bessie
Brian A. Kates, ACE

Dolly Parton's Coat of Many Colors
Maysie Hoy, ACE

Orange is the New Black: “Trust No Bitch” (90 minute episode)
William Turro

Best Edited Non-Scripted Series:

Anthony Bourdain: Parts Unknown: “Bay Area”
Hunter Gross, ACE

Deadliest Catch: “Zero Hour”
Josh Earl, ACE and Ben Bulatao

Whale Wars: "The Darkest Hour"
Eric Driscoll, Nik Jamgocyan, Chris Kirkpatrick, David Michael Maurer, ACE, Greg McDonald, Marcus Miller and Alexandria Scott

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