Amerykańska Akademia Filmowa opublikowała listę tytułów zakwalifikowanych do rywalizacji o Oscara w kategorii Najlepszy Film Nieanglojęzyczny. Do najbliższej edycji Oscarów swoje produkcje zgłosiły 85 kinematografie, co jest historycznym rekordem w tej kategorii.
Debiutującym krajem w walce o Oscary jest Jemen, ale dziś to
nie przedstawiciel tego egzotycznego miejsca jest wymieniany w gronie
faworytów. Wśród reżyserów, których filmy powalczą o nominacje i Oscara
znajdują się m.in.: Danis Tanovic, Xavier Dolan, Petr Zelenka, Paul Verhoeven, Asghar
Farhadi, Gianfranco Rosi, Hany Abu-Assad, Brillante Ma Mendoza, Andriej
Konczałowski, Pedro Almodóvar i oczywiście Andrzej Wajda. W sumie 39 filmów kandydujących do Oscara pochodzi z Europy.
Po raz pierwszy kategoria poświęcona filmom
nieanglojęzycznym pojawiła się na Oscarach w 1956 roku, co oznacza że w tym
roku obchodzimy 60 edycję tych nagród. 17 stycznia 2017 poznamy skróconą listę
kandydatów, 24 stycznia ogłoszone zostaną nominacje, a 26 lutego odbędzie się
ceremonia rozdania Oscarów.
PEŁNA LISTA FILMÓW RYWALIZUJĄCYCH O OSCARA W KATEGORII NAJLEPSZY
FILM NIEANGLOJĘZYCZNY (w oryginale):
Albania,
“Chromium,” Bujar Alimani, director;
Algeria,
“The Well,” Lotfi Bouchouchi, director;
Argentina,
“The Distinguished Citizen,” Mariano Cohn, Gastón Duprat, directors;
Australia,
“Tanna,” Bentley Dean, Martin Butler, directors;
Austria,
“Stefan Zweig: Farewell to Europe,” Maria Schrader, director;
Bangladesh,
“The Unnamed,” Tauquir Ahmed, director;
Belgium,
“The Ardennes,” Robin Pront, director;
Bolivia,
“Sealed Cargo,” Julia Vargas Weise, director;
Bosnia and
Herzegovina, “Death in Sarajevo,” Danis Tanovic, director;
Brazil,
“Little Secret,” David Schurmann, director;
Bulgaria,
“Losers,” Ivaylo Hristov, director;
Cambodia,
“Before the Fall,” Ian White, director;
Canada,
“It’s Only the End of the World,” Xavier Dolan, director;
Chile,
“Neruda,” Pablo Larraín, director;
China,
“Xuan Zang,” Huo Jianqi, director;
Colombia,
“Alias Maria,” José Luis Rugeles, director;
Costa Rica,
“About Us,” Hernán Jiménez, director;
Croatia,
“On the Other Side,” Zrinko Ogresta, director;
Cuba, “The
Companion,” Pavel Giroud, director;
Czech
Republic, “Lost in Munich,” Petr Zelenka, director;
Denmark,
“Land of Mine,” Martin Zandvliet, director;
Dominican
Republic, “Sugar Fields,” Fernando Báez, director;
Ecuador,
“Such Is Life in the Tropics,” Sebastián Cordero, director;
Egypt,
“Clash,” Mohamed Diab, director;
Estonia,
“Mother,” Kadri Kõusaar, director;
Finland,
“The Happiest Day in the Life of Olli Mäki,” Juho Kuosmanen, director;
France,
“Elle,” Paul Verhoeven, director;
Georgia,
“House of Others,” Rusudan Glurjidze, director;
Germany,
“Toni Erdmann,” Maren Ade, director;
Greece,
“Chevalier,” Athina Rachel Tsangari, director;
Hong Kong,
“Port of Call,” Philip Yung, director;
Hungary,
“Kills on Wheels,” Attila Till, director;
Iceland,
“Sparrows,” Rúnar Rúnarsson, director;
India,
“Interrogation,” Vetri Maaran, director;
Indonesia,
“Letters from Prague,” Angga Dwimas Sasongko, director;
Iran, “The
Salesman,” Asghar Farhadi, director;
Iraq, “El
Clásico,” Halkawt Mustafa, director;
Israel,
“Sand Storm,” Elite Zexer, director;
Italy,
“Fire at Sea,” Gianfranco Rosi, director;
Japan,
“Nagasaki: Memories of My Son,” Yoji Yamada, director;
Jordan,
“3000 Nights,” Mai Masri, director;
Kazakhstan,
“Amanat,” Satybaldy Narymbetov, director;
Kosovo,
“Home Sweet Home,” Faton Bajraktari, director;
Kyrgyzstan,
“A Father’s Will,” Bakyt Mukul, Dastan Zhapar Uulu, directors;
Latvia,
“Dawn,” Laila Pakalnina, director;
Lebanon,
“Very Big Shot,” Mir-Jean Bou Chaaya, director;
Lithuania,
“Seneca’s Day,” Kristijonas Vildziunas, director;
Luxembourg,
“Voices from Chernobyl,” Pol Cruchten, director;
Macedonia,
“The Liberation of Skopje,” Rade Šerbedžija, Danilo Šerbedžija, directors;
Malaysia,
“Beautiful Pain,” Tunku Mona Riza, director;
Mexico,
“Desierto,” Jonás Cuarón, director;
Montenegro,
“The Black Pin,” Ivan Marinović, director;
Morocco, “A
Mile in My Shoes,” Said Khallaf, director;
Nepal, “The
Black Hen,” Min Bahadur Bham, director;
Netherlands,
“Tonio,” Paula van der Oest, director;
New
Zealand, “A Flickering Truth,” Pietra Brettkelly, director;
Norway,
“The King’s Choice,” Erik Poppe, director;
Pakistan,
“Mah-e-Mir,” Anjum Shahzad, director;
Palestine,
“The Idol,” Hany Abu-Assad, director;
Panama,
“Salsipuedes,” Ricardo Aguilar Navarro, Manolito Rodríguez, directors;
Peru,
“Videophilia (and Other Viral Syndromes),” Juan Daniel F. Molero, director;
Philippines,
“Ma’ Rosa,” Brillante Ma Mendoza, director;
Poland,
“Afterimage,” Andrzej Wajda, director;
Portugal,
“Letters from War,” Ivo M. Ferreira, director;
Romania,
“Sieranevada,” Cristi Puiu, director;
Russia,
“Paradise,” Andrei Konchalovsky, director;
Saudi
Arabia, “Barakah Meets Barakah,” Mahmoud Sabbagh, director;
Serbia,
“Train Driver’s Diary,” Milos Radovic, director;
Singapore,
“Apprentice,” Boo Junfeng, director;
Slovakia,
“Eva Nová,” Marko Skop, director;
Slovenia,
“Houston, We Have a Problem!” Žiga Virc, director;
South
Africa, “Call Me Thief,” Daryne Joshua, director;
South
Korea, “The Age of Shadows,” Kim Jee-woon, director;
Spain,
“Julieta,” Pedro Almodóvar, director;
Sweden, “A
Man Called Ove,” Hannes Holm, director;
Switzerland,
“My Life as a Zucchini,” Claude Barras, director;
Taiwan,
“Hang in There, Kids!” Laha Mebow, director;
Thailand, “Karma,”
Kanittha Kwunyoo, director;
Turkey,
“Cold of Kalandar,” Mustafa Kara, director;
Ukraine,
“Ukrainian Sheriffs,” Roman Bondarchuk, director;
United
Kingdom, “Under the Shadow,” Babak Anvari, director;
Uruguay,
“Breadcrumbs,” Manane Rodríguez, director;
Venezuela,
“From Afar,” Lorenzo Vigas, director;
Vietnam,
“Yellow Flowers on the Green Grass,” Victor Vu, director;
Yemen, “I
Am Nojoom, Age 10 and Divorced,” Khadija Al-Salami, director.
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