Klasyka kina na najważniejszych festiwalach filmowych to
informacja o tym, jakie dzieła sztuki filmowej doczekały się restauracji i
zapewne cyfryzacji. Festiwal w Wenecji właśnie dostarczył takich informacji i
już wiadomo, że w tym roku pojawi się tutaj sporo wartościowych propozycji.
Na festiwalu w Wenecji przyznana zostanie nagroda dla
najlepiej odrestaurowanego filmu oraz nagroda dla najlepszego filmu
dokumentalnego o kinie. Festiwal w Wenecji odbędzie się od 28 sierpnia do 7
września i klasyka zachwyci zapewne wielu widzów, którzy wypatrują takich
filmowych wydarzeń. Na Lido pokazane zostaną m.in. dzieła Bernardo
Bertolucciego, Federica Felliniego, Manoela de Oliveiry, Dennisa Hoppera,
Martina Scorsese i Luisa Bunuela.
Oto te filmy (wersja angielska):
THE INCREDIBLE SHRINKING MAN
by JACK ARNOLD (USA, 1957, 81’, B/W)
restored by: Universal Pictures
LA COMMARE SECCA (THE GRIM REAPER)
by BERNARDO BERTOLUCCI (Italy, 1962, 92’, B/W)
restored by: CSC-Cineteca Nazionale in collaboration with
RTI-Mediaset
STRATEGIA DEL RAGNO (THE SPIDER'S STRATAGEM)
by BERNARDO BERTOLUCCI (Italy, 1970, 110’, Colour)
restored by: Fondazione Cineteca di Bologna and Massimo
Sordella in collaboration with Compass Film
ENSAYO DE UN CRIMEN (THE CRIMINAL LIFE OF ARCHIBALDO DE LA
CRUZ)
by LUIS BUÑUEL (Mexico, 1955, 92’, B/W)
restored by: Cineteca Nacional México in collaboration with
Sindicato de Trajadores de la Producción Cinematográfica
LE PASSAGE DU RHIN (THE CROSSING OF THE RHINE)
by ANDRÉ CAYATTE (France, Germany, Italy, 1960, 125’, B/W)
restored by: Gaumont
MARIA ZEF
by VITTORIO COTTAFAVI (Italy, 1981, 122’, Colour)
restored by: Rai Teche in collaboration with Cineteca del
Friuli, Fuori Orario (Rai3) and Museo Nazionale del Cinema di Torino
CRASH
by DAVID CRONENBERG (Canada, 1996, 100’, Colour)
restored by: Recorded Picture Company and Turbine Media
Group (with the supervision of David Cronenberg and DOP Peter Suschitzky)
FRANCISCA
by MANOEL DE OLIVEIRA (Portugal, 1981, 167’, Colour)
restored by: Cinemateca Portuguesa - Museu do Cinema
KHANEH SIAH AST (THE HOUSE IS BLACK)
by FOROUGH FARROKHZAD (Iran, 1962, 21’, B/W)
restored by: Fondazione Cineteca di Bologna and Ecran Noir
productions, in collaboration with Ebrahim Golestan. With the support of Genoma
Films and Mahrokh Eshaghian
LO SCEICCO BIANCO (THE WHITE SHEIK)
by FEDERICO FELLINI (Italy, 1952, 86’, B/W)
restored by: Fondazione Cineteca di Bologna in the context
of “Fellini 100” project, in collaboration with RTI-Mediaset and Infinity
SODRÁSBAN (CURRENT)
by ISTVÁN GAÁL (Hungary, 1963, 85’, B/W)
restored by: Hungarian National Film Fund – Film Archive
TAPPE-HAYE MARLIK (THE HILLS OF MARLIK)
by EBRAHIM GOLESTAN (Iran, 1964, 15’, Colour)
restored by: Fondazione Cineteca di Bologna and Ecran Noir
productions, in collaboration with Ebrahim Golestan and the National Film
Archive of Iran. With the support of Mahrokh Eshaghian and Genoma Films
LA MUERTE DE UN BURÒCRATA (DEATH OF A BUREAUCRAT)
by TOMÁS GUTIÉRREZ ALEA (Cuba, 1966, 85’, B/W)
restored by: Academy of Motion Picture Arts and Sciences (Archive)
and Cinemateca de Cuba
OUT OF THE BLUE
by DENNIS HOPPER (Canada, USA, 1980, 94’, Colour)
restored by: Discovery Productions (John Alan Simon and
Elizabeth Karr)
EXTASE (ECSTASY)
by GUSTAV MACHATÝ (Czechoslovakia, 1932, 87’, B/W)
restored by: Národní filmový archiv (National Film Archive
in Prague), thanks to the support of Milada Kučerová and Eduard Kučera and the
collaboration of the Film Servis Festival Karlovy Vary
MAURI
by MERATA MITA (New Zealand, 1988, 100’, Colour)
restored by: New Zealand Film Commission
TIRO AL PICCIONE (PIGEON SHOOT)
by GIULIANO MONTALDO (Italy, 1961, 115’, B/W)
restored by: CSC-Cineteca Nazionale in collaboration with
Surf Film
NEW YORK, NEW YORK
by MARTIN SCORSESE (USA, 1977, 163’, Colour)
New 35mm print courtesy of Metro Goldwyn Mayer (MGM), on the
occasion of United Artists centennial anniversary
KALINA KRASNAYA (THE RED SNOWBALL TREE)
by VASILIY SHUKSHIN (URSS, 1973, 107’, Colour)
restored by: Mosfilm Cinema Concern (Karen Shakhnazarov
producer of the restoration)
WAY OF A GAUCHO
by JACQUES TOURNEUR (USA, 1952, 91’, Colour)
restored by: Twentieth Century Fox and The Film Foundation
Ciekawy wpis. Ja osobiście też jestem fanem sztuki. Nawet ostatnio odwiedziłem Piękna Gallery, gdzie kupiłem wspaniały obraz za okazyjną cenę. Było warto.
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