Polski dokument zmontowany spośród archiwalnych kronik z
Powstania Warszawskiego otrzymał w Hollywood nagrodę dla najlepiej opracowanego
dźwiękowo filmu dokumentalnego.
Reżyserowie i montażyści dźwięku też przyznają swoje
doroczne nagrody (Golden Reel Awards). Wśród laureatów znalazły się m.in. "Birdman",
"Niezłomny", "Get On Up", "Newsroom", "Gra o
tron", "Fargo". W tym wybitnym gronie znalazło się też miejsce
dla polskiego "Powstania Warszawskiego". Z myślą o zagranicznym widzu
i amerykańskich festiwalach filmowych powstała specjalna wersja filmu pod
tytułem "Warsaw Uprising". Do współpracy przy jej przygotowaniu
zaproszony został reżyser Władysław Pasikowski. Do oryginalnego scenariusza
dołączono postać amerykańskiego dziennikarza, któremu dwójka głównych bohaterów
tłumaczy to, co dzieje się w Warszawie. Polski film był w gronie
pełnometrażowych dokumentów zabiegających o Oscary, ale nominacji nie otrzymał.
Dziś cieszy za to nagroda za pracę zespołu dźwiękowców pod kierownictwem
Bartosza Putkiewicza i Kacpra Habisiaka.
Pełna lista laureatów (w oryginale)
FEATURE
FILM
Best Sound Editing in Feature Film: Music
BIRDMAN
SUPERVISING
MUSIC EDITOR: Martin Hernandez
MUSIC
EDITORS: Terry Wilson, Will Kaplan
Best Sound Editing in Feature Film: Music
(Musical Feature)
GET ON UP
SUPERVISING
MUSIC EDITOR: Curt Sobel
MUSIC
EDITORS: Jordan Corngold
Best Sound Editing in Feature Film:
Dialogue/ADR
UNBROKEN
SUPERVISING
SOUND EDITORS: Becky Sullivan, MPSE, Andrew DeCristofaro, MPSE
DIALOGUE/ADR
EDITORS: Laura Atkinson, Glynna Grimala
ADR EDITOR:
Lauren Hadaway
Best Sound Editing in Feature Film: FX/Foley
AMERICAN
SNIPER
SUPERVISING
SOUND EDITORS: Alan Robert Murray, Bub Asman
SOUND
EFFECTS EDITORS: Jason King, Mark Larry, Roland N. Thai, Kevin R.W. Murray
SOUND
DESIGNER: Tom Ozanich
SUPERVISING
FOLEY EDITOR: Michael Dressel
FOLEY
EDITOR: Christopher Flick
FOLEY
ARTISTS: Dan O’Connell, John T. Cucci, MPSE
TELEVISION,
SHORT FORM
Best Sound Editing in Television, Short Form:
Music
(TIE)
ALMOST
HUMAN
MUSIC
EDITOR: Warren Brown, MPSE
FARGO
SUPERVISING
MUSIC EDITOR: Skye Lewin, MPSE
Best Sound Editing in Television, Short Form:
Dialogue/ADR
THE
NEWSROOM, “Oh Shenandoah”
SUPERVISING
SOUND/ADR EDITOR: Mark Relyea
DIALOGUE/ADR
EDITORS: Edmund Lachmann, Julie Altus
Best Sound Editing in Television, Short Form:
FX/Foley
GAME OF
THRONES, “The Children”
SUPERVISING
SOUND EDITOR: Tim Kimmel
SOUND
DESIGNER: Paula Fairfield, MPSE
SUPERVISING
FOLEY EDITOR: Brett Voss
FOLEY
ARTISTS: Jeffrey Wilhoit, MPSE, Dylan Wilhoit
SOUND
EFFECTS EDITOR: Bradley Katona, MPSE
TELEVISION,
LONG FORM
Best Sound Editing in Television, Long Form:
Dialogue/ADR
KLONDIKE,
“Episode 1″
SUPERVISING
SOUND EDITOR: Lee Walpole
SUPERVISING
DIALOGUE EDITOR: Jason Lawrence
SUPERVISING
ADR EDITOR: Iain Eyre
Best Sound Editing in Television, Long Form:
FX/Foley
HOUDINI,
“Night 1”
SUPERVISING
SOUND EDITOR: Michael J. Benavente, MPSE
SUPERVISING
FOLEY EDITOR: Robert Ulrich
FOLEY
ARTIST: Joan Rowe, MPSE
SOUND
EFFECTS EDITORS: Michael Sana, Paul Diller, Tim Cleveland, Gary Megregian,
MPSE, John Snider
FOLEY
EDITORS: Rachel Corrales, Ryan Maguire
TV/FEATURE
ANIMATION AND DOCUMENTARY
Best Sound and Music Editing: Television
Animation
STAR WARS:
REBELS, “Gathering Forces”
SUPERVISING
SOUND EDITORS: Matthew Wood, David Acord
SOUND
DESIGNER: David Acord
SUPERVISING
FOLEY EDITOR: Frank Rinella
FOLEY
ARTISTS: Kim Patrick, Frank Rinella
SOUND
EFFECTS EDITOR: Ryan Frias
DIALOGUE /
ADR EDITOR: Tony Diaz, MPSE
SUPERVISING
MUSIC EDITOR: Sean Kiner
Best Sound and Music Editing: Television
Documentary, Short Form
AX MEN, “Ax
Marks the Spot”
SUPERVISING
SOUND EDITOR/SOUND DESIGNER: Bob Bronow, MPSE
SUPERVISING
DIALOGUE EDITOR: Doug Kern
SOUND
EFFECTS EDITOR: Eddie Rodriguez
Best Sound and Music Editing: Television
Documentary, Long Form
FOO
FIGHTERS SONIC HIGHWAYS, “Seattle”
SUPERVISING
SOUND EDITOR/SOUND DESIGNER/SUPERVISING DIALOGUE EDITOR: Eddie Kim
SUPERVISING
DIALOGUE/ADR EDITOR: Jeff Fuller
SOUND
EFFECTS EDITORS: Eddie Kim, Justin Lebens
DIALOGUE/ADR
EDITOR: Justin Lebens
SUPERVISING
MUSIC EDITOR: Jeff Fuller
Best Sound and Music Editing: Feature Animation
BIG HERO 6
SUPERVISING
SOUND EDITOR: Shannon Mills
SUPERVISING
FOLEY EDITOR: Robert Shoup
SUPERVISING
DIALOGUE EDITOR: Kim Foscato
SUPERVISING
ADR EDITOR: Daniel Laurie
FOLEY
ARTISTS: John Roesch, Alyson Dee Moore
SOUND
EFFECTS EDITORS: Addison Teague, Nia Hansen, David C. Hughes, Jeremy Bowker
SUPERVISING
MUSIC EDITOR: Dan Pinder
MUSIC
EDITOR: Earl Ghaffari
FOLEY
EDITOR: Jim Likowski
Best Sound and Music Editing: Feature
Documentaries
WARSAW
UPRISING
SUPERVISING
SOUND EDITORS: Kacper Habisiak, MPSE, Bartosz Putkiewicz
SOUND
DESIGNER: Marcin Kasiński ,MPSE, Dariusz Stanek
SUPERVISING
FOLEY EDITOR: Henryk Zastróżny
SUPERVISING
DIALOGUE / ADR EDITOR: Filip Krzemień
FOLEY ARTISTS:
Jacek Wiśniewski, Jacek Pająk
SOUND
EFFECTS EDITORS: Aleksandra Pająk, Anna Kufirska, Filip Krzyżykowski
DIALOGUE/ADR
EDITOR: Tomasz Maciątek
SUPERVISING
MUSIC EDITOR: Agnieszka Putkiewicz
MUSIC EDITORS: Dariusz Podhajski, Anna Malarowska
ADR EDITORS: Stefan Gawłowski, Maciej Wiejaczka, Jarosław
Bajdowski, Mariusz Bielecki, Mariusz Andrasik
SOUND
EFFECT EDITOR: Michał Kosterkiewicz
COMPUTER/DIRECT-TO-VIDEO/FOREIGN
FEATURE
Best Sound and Music Editing: Computer Episodic
Entertainment (Webisode)
HALO
NIGHTFALL
SUPERVISING
SOUND EDITOR: Lee Walpole
SOUND
DESIGNER: Andy Kennedy
SUPERVISING
FOLEY EDITOR: Sarah Elias
SUPERVISING
DIALOGUE/ADR EDITOR: Jeff Richardson
FOLEY
ARTIST: Meltem Baytok
SOUND
EFFECTS EDITORS: Matthew Mewett, Danton Tanimura
Best Sound and Music Editing: Game Cinematics
LEAGUE OF
LEGENDS: A NEW DAWN
SUPERVISING
SOUND EDITORS: Riot Games Audio Team
SOUND
DESIGNERS: Riot Games Audio Team
SUPERVISING
DIALOGUE/ADR EDITOR: Riot Games Audio Team
FOLEY
ARTISTS: Gary Hecker, Gary Marullo
SOUND
EFFECTS EDITORS: Riot Games Audio Team
MUSIC
EDITORS: Michael Patti, Michael Barry
Best Sound and Music Editing: Direct-to-Video,
Animation
STAR WARS :
THE CLONE WARS, “Sacrifice”
SUPERVISING
SOUND EDITOR: Matthew Wood
SOUND
DESIGNER: David Acord
SUPERVISING
FOLEY EDITOR: Kevin Sellers
SUPERVISING
DIALOGUE / ADR EDITOR: Steve Slanec
SOUND
EFFECTS EDITOR: Jeremy Bowker
SUPERVISING
MUSIC EDITOR: Dean Menta
MUSIC
EDITOR: Sean Kiner
Best Sound and Music Editing: Direct-to-Video,
Live Action
STONEHEARST
ASYLUM
SUPERVISING
SOUND EDITORS: Lon Bender, MPSE, Bill Dean, MPSE
SOUND
DESIGNERS: Lon Bender, MPSE, Kris Fenske, MPSE
SUPERVISING
FOLEY EDITOR: Rachel Chancey,
SUPERVISING
DIALOGUE/ADR EDITOR: Bobbi Banks
FOLEY
ARTIST: Ryan Collison
SOUND
EFFECTS EDITORS: Patrick Cicero, Dino R. DiMuro, MPSE, Hector Gika, MPSE, Allan
Zaleski, David Raines
SUPERVISING
MUSIC EDITOR: John Carbonara
MUSIC
EDITOR: Chad Birmingham
Best Sound and Music Editing: Feature Film, Foreign Language
THE
LIBERATOR
SUPERVISING
SOUND EDITORS: Jay Nierenberg, MPSE, Jonathan Wales
SOUND
DESIGNER: Trevor Gates
SUPERVISING
ADR EDITOR: Andrés Velasquez
FOLEY
ARTIST: Vicki O’Reilly Vandegrift
SOUND
EFFECTS EDITORS: Chris Diebold, Steven Iba, Charles Maynes, MPSE, Brent Findley
DIALOGUE/ADR
EDITORS: Angela Hemingway, Todd Niesen, MPSE
SUPERVISING
MUSIC EDITOR: Ramiro Belgardt
ADR
EDITORS: Juan Diego Borda, Aleksandar Sasha Panich
FOLEY
EDITOR: Zach Schmitt, MPSE
VERNA FIELDS AWARD IN SOUND EDITING FOR STUDENT
FILMS
SEA ODYSSEY
Savannah
College of Art and Design
SUPERVISING
SOUND EDITOR: Beau Anthony Jimenez
SUPERVISING
FOLEY EDITOR: Eolyne Arnold
FOLEY
ARTIST: Melissa Terry
SOUND
EFFECTS EDITORS: Jacob Flack, Nick Caramela, Matt Yocum
DIALOGUE/ADR EDITOR: Kai Paquin
Brak komentarzy:
Prześlij komentarz