Dobiegł końca tegoroczny festiwal Sundance. To tutaj można
wypatrywać kandydatów do przyszłorocznych Oscarów. Najlepszym filmem wybrano "Me And Earl And
The Dying Girl". W zeszłym roku Sundance wygrał
"Whiplash", który teraz ubiega się o Oscary.
W trakcie festiwalu zaprezentowano 123 pełnometrażowe filmy
oraz 60 krótkometrażowych, które wytypowane zostały spośród 12 166 zgłoszeń. Na
festiwalu zaprezentowano dwa polskie filmy krótkometrażowe, z których
"Obiekt" wyjechał z wyróżnieniem.
Pełna lista
nagrodzonych (w oryginale)
US Grand
Jury Prize
Me And Earl
And The Dying Girl (US), Alfonso Gomez-Rejon
The US
Grand Jury Prize: Documentary
The
Wolfpack (US), Crystal Moselle
World
Cinema Grand Jury Prize: Dramatic
Slow West
(UK-New Zealand), John Maclean
World
Cinema Grand Jury Prize: Documentary
The Russian
Woodpecker (UK), Chad Gracia
The
Audience Award: US Documentary
Meru (US),
Jimmy Chin, E Chai Vasarhelyi
The
Audience Award: US Dramatic
Me And Earl
And The Dying Girl (US), Alfonso Gomez-Rejon
The
Audience Award: World Cinema Documentary
Dark Horse
(UK), Louise Osmond
The
Audience Award: World Cinema Dramatic
Umrika
(India)
The
Audience Award: NEXT
James White
(US), Josh Mond
The
Directing Award: US Dramatic
Robert
Eggers for The Witch (US-Canada)
The
Directing Award: US Documentary
Matthew
Heineman for Cartel Land (US-Mexico)
The
Directing Award: World Cinema Dramatic
Alanté
Kavaïté for The Summer Of Sangaile (Lithuania-France-The Netherlands)
The
Directing Award: World Cinema Documentary
Kim
Longinotto for Dreamcatcher (UK)
The Waldo
Salt Screenwriting Award: US Dramatic
Tim Talbott
for The Stanford Prison Experiment (US)
US
Documentary Special Jury Award for Social Impact
Marc Silver
for 3½ Minutes (US)
A US
Documentary Special Jury Award for Vérité Filmmaking
Bill Ross
and Turner Ross for Western (US-Mexico)
A US
Documentary Special Jury Award for Break Out First Feature
Lyric R
Cabral and David Felix Sutcliffe for (T)ERROR (US)
A US
Documentary Special Jury Award for Cinematography
Matthew
Heineman for Cartel Land (US-Mexico)
US Dramatic
Special Jury Award for Excellence in Cinematography
Brandon
Trost for The Diary Of A Teenage Girl (US)
US Dramatic
Special Jury Award for Excellence in Editing
Dope (US)
US Dramatic
Special Jury Award for Collaborative Vision
Advantageous
(US)
Director:
Jennifer Phang
Screenwriters:
Jacqueline Kim, Jennifer Phang
A World
Cinema Documentary Special Jury Award for Unparalleled Access
The Chinese
Mayor (China), Hao Zhou
World
Cinema Documentary Special Jury Award for Impact
Pervert
Park (Sweden-Denmark), Frida Barkfors, Lasse Barkfors
World
Cinema Documentary Special Jury Award for Editing
Jim Scott
for How To Change The World (UK-Canada), Jerry Rothwell
World
Cinema Dramatic Special Jury Award for Cinematography
Germain
McMicking for Partisan (Australia)
World
Cinema Dramatic Special Jury Award for Acting
Jack
Reynor, Glassland (Ireland)
World
Cinema Dramatic Special Jury Award for Acting
Regina Casé
and Camila Márdila, The Second Mother (Brazil).
I jeszcze werdykt wraz z uzasadnieniem jury:
2015 SUNDANCE
FILM FESTIVAL JURY AWARDS:
The U.S.
Grand Jury Prize: Dramatic was presented to: Me and Earl and the Dying Girl
(Director: Alfonso Gomez-Rejon, Screenwriter: Jesse Andrews) — Greg is coasting
through senior year of high school as anonymously as possible, avoiding social
interactions like the plague while secretly making spirited, bizarre films with
Earl, his only friend. But both his anonymity and friendship threaten to
unravel when his mother forces him to befriend a classmate with leukemia.
The U.S.
Grand Jury Prize: Documentary was presented to: The Wolfpack (Director: Crystal
Moselle) — Six bright teenage brothers have spent their entire lives locked
away from society in a Manhattan housing project. All they know of the outside
is gleaned from the movies they watch obsessively (and re-create meticulously).
Yet as adolescence looms, they dream of escape, ever more urgently, into the
beckoning world.
The World
Cinema Grand Jury Prize: Dramatic was presented to: Slow West / United Kingdom,
New Zealand (Director & Screenwriter: John Maclean) — Set at the end of the
nineteenth century, 16-year-old Jay Cavendish journeys across the American
frontier in search of the woman he loves. He is joined by Silas, a mysterious
traveler, and hotly pursued by an outlaw along the way.
The World
Cinema Grand Jury Prize: Documentary was presented to: The Russian Woodpecker /
United Kingdom (Director: Chad Gracia) — A Ukrainian victim of the Chernobyl
nuclear disaster discovers a dark secret and must decide whether to risk his
life by revealing it, amid growing clouds of revolution and war.
The
Directing Award: U.S. Documentary was presented to: Matthew Heineman for Cartel
Land / U.S.A., Mexico (Director: Matthew Heineman) — In this classic western
set in the twenty-first century, vigilantes on both sides of the border fight
the vicious Mexican drug cartels. With unprecedented access, this
character-driven film provokes deep questions about lawlessness, the breakdown
of order, and whether citizens should fight violence with violence.
The
Directing Award: U.S. Dramatic was presented to: The Witch (Director &
Screenwriter: Robert Eggers) — New England in the 1630s: William and Katherine
lead a devout Christian life with five children, homesteading on the edge of an
impassable wilderness. When their newborn son vanishes and crops fail, the
family turns on one another. Beyond their worst fears, a supernatural evil
lurks in the nearby wood.
The
Directing Award: World Cinema Documentary was presented to: Dreamcatcher / United
Kingdom (Director: Kim Longinotto) — Dreamcatcher takes us into a hidden world
seen through the eyes of one of its survivors, Brenda Myers-Powell. A former
teenage prostitute, Brenda defied the odds to become a powerful advocate for
change in her community. With warmth and humor, Brenda gives hope to those who
have none.
The
Directing Award: World Cinema Dramatic was presented to: The Summer of Sangaile
/ Lithuania, France, The Netherlands (Director & Screenwriter: Alanté
Kavaïté) — Seventeen-year-old Sangaile is fascinated by stunt planes. She meets
a girl her age at the summer aeronautical show, near her parents’ lakeside
villa. Sangaile allows Auste to discover her most intimate secret and, in the
process, finds in her teenage love, the only person that truly encourages her
to fly.
The Waldo
Salt Screenwriting Award: U.S. Dramatic was presented to: Tim Talbott for The
Stanford Prison Experiment (Director: Kyle Patrick Alvarez, Screenwriter: Tim
Talbott) — Based on the actual events that took place in 1971, when Stanford
professor Dr. Philip Zimbardo created what became one of the most shocking and
famous social experiments of all time.
A U.S.
Documentary Special Jury Award for Social Impact was presented to: 3½ MINUTES
(Director: Marc Silver) — On November 23, 2012, unarmed 17-year-old Jordan
Russell Davis was shot at a Jacksonville gas station by Michael David Dunn. 3½
MINUTES explores the aftermath of Jordan's tragic death, the latent and often
unseen effects of racism, and the contradictions of the American criminal
justice system.
A U.S.
Documentary Special Jury Award for Vérité Filmmaking was presented to: Western
(Directors: Bill Ross, Turner Ross) — For generations, all that distinguished
Eagle Pass, Texas, from Piedras Negras, Mexico, was the Rio Grande. But when
darkness descends upon these harmonious border towns, a cowboy and lawman face
a new reality that threatens their way of life. Western portrays timeless
American figures in the grip of unforgiving change.
A U.S.
Documentary Special Jury Award for Break Out First Feature was presented to:
(T)ERROR (Directors: Lyric R. Cabral, David Felix Sutcliffe) — With
unprecedented access to a covert counterterrorism sting, (T)ERROR develops in
real time, documenting the action as it unfolds on the ground. Viewers get an
unfettered glimpse of the government's counterterrorism tactics and the murky
justifications behind them through the perspective of *******, a 63-year-old
Black revolutionary turned FBI informant.
A U.S.
Documentary Special Jury Award for Cinematography was presented to: Matthew
Heineman for Cartel Land (Director: Matthew Heineman) — In this classic western
set in the twenty-first century, vigilantes on both sides of the border fight
the vicious Mexican drug cartels. With unprecedented access, this
character-driven film provokes deep questions about lawlessness, the breakdown
of order, and whether citizens should fight violence with violence.
A U.S.
Dramatic Special Jury Award for Excellence in Cinematography was presented to:
Brandon Trost for The Diary of a Teenage Girl (Director & Screenwriter:
Marielle Heller) — Minnie Goetze is a 15-year-old aspiring comic-book artist,
coming of age in the haze of the 1970s in San Francisco. Insatiably curious
about the world around her, Minnie is a pretty typical teenage girl. Oh, except
that she's sleeping with her mother's boyfriend. Cast: Bel Powley, Alexander
Skarsgård, Christopher Meloni, Kristen Wiig.
A U.S.
Dramatic Special Jury Award for Excellence in Editing was presented to: Lee Haugen
for Dope (Director & Screenwriter: Rick Famuyiwa) — Malcolm is carefully
surviving life in a tough neighborhood in Los Angeles while juggling college
applications, academic interviews, and the SAT. A chance invitation to an
underground party leads him into an adventure that could allow him to go from
being a geek, to being dope, to ultimately being himself.
A U.S.
Dramatic Special Jury Award for Collaborative Vision was presented to:
Advantageous (Director: Jennifer Phang, Screenwriters: Jacqueline Kim, Jennifer
Phang) — In a near-future city where soaring opulence overshadows economic
hardship, Gwen and her daughter, Jules, do all they can to hold on to their
joy, despite the instability surfacing in their world.
A World
Cinema Documentary Special Jury Award for Unparalleled Access was presented to:
The Chinese Mayor / China (Director: Hao Zhou) — Mayor Geng Yanbo is determined
to transform the coal-mining center of Datong, in China’s Shanxi province, into
a tourism haven showcasing clean energy. In order to achieve that, however, he
has to relocate 500,000 residences to make way for the restoration of the ancient
city.
A World
Cinema Documentary Special Jury Award for Impact was presented to: Pervert Park
/ Sweden, Denmark (Directors: Frida Barkfors, Lasse Barkfors) — Pervert Park
follows the everyday lives of sex offenders in a Florida trailer park as they struggle
to reintegrate into society, and try to understand who they are and how to
break the cycle of sex crimes being committed.
2015
SUNDANCE FILM FESTIVAL AUDIENCE AWARDS:
The
Audience Award: U.S. Dramatic, Presented by Acura: Me and Earl and the Dying
Girl (Director: Alfonso Gomez-Rejon, Screenwriter: Jesse Andrews) — Greg is
coasting through senior year of high school as anonymously as possible,
avoiding social interactions like the plague while secretly making spirited,
bizarre films with Earl, his only friend. But both his anonymity and friendship
threaten to unravel when his mother forces him to befriend a classmate with
leukemia.
The
Audience Award: U.S. Documentary, Presented by Acura: Meru (Directors: Jimmy
Chin, E. Chai Vasarhelyi) — Three elite mountain climbers sacrifice everything
but their friendship as they struggle through heartbreaking loss and nature’s
harshest elements to attempt the never-before-completed Shark’s Fin on Mount
Meru, the most coveted first ascent in the dangerous game of Himalayan big wall
climbing.
The
Audience Award: World Cinema Dramatic was presented to: Umrika / India
(Director & Screenwriter: Prashant Nair) — When a young village boy
discovers that his brother, long believed to be in America, has actually gone
missing, he begins to invent letters on his behalf to save their mother from
heartbreak, all the while searching for him.
The
Audience Award: World Cinema Documentary was presented to: Dark Horse / United
Kingdom (Director: Louise Osmond) — Dark Horse is the inspirational true story
of a group of friends from a workingman's club who decide to take on the elite
"sport of kings" and breed themselves a racehorse.
The
Audience Award: NEXT, Presented by Adobe: James White (Director &
Screenwriter: Josh Mond) — A young New Yorker struggles to take control of his
reckless, self-destructive behavior in the face of momentous family challenges.
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