sobota, 11 lutego 2017

Krytycy nominują za muzykę. Korzeniowski wysoko


The International Film Music Critics Assn., organizacja skupiająca krytyków specjalizujących się w ocenianiu muzyki filmowej, po raz 14 ogłosiła nominacje do swoich nagród. Po pięć nominacji otrzymali Michael Giacchino i Justin Hurwitz, a jedną mniej zdobył nasz rodak Abel Korzeniowski.

Giacchino został nominowany za pracę do filmów „Doktor Strange”, „Zwierzogród” ale też za najnowszego „Star Treka”. Justin Hurwitz zdobył wszystkie nominacje za „La La Land”. Korzeniowski nominowano za trzy różne projekty. Najważniejszą z nominacji otrzymał nasz kompozytor za muzykę do „Zwierząt nocy”, a do tego doceniono go za muzykę do serialu „Penny Dreadful” i retrospekcyjny kompilacyjny album „Early Works”. Korzeniowski nagrodę od krytyków otrzymał w 2013 roku za „Romeo & Juliet”.

Wśród innych nominowanych filmów za muzykę znalazły się m.in.: “Elle”, “Arrival”, “Fantastic Beasts and Where to Find Them”, “Swiss Army Man”, “Moonlight”. Laureatów nagród poznamy 23 lutego.

Pełna lista nominowanych (w oryginale):

SCORE OF THE YEAR
“Arrival,” music by Jóhann Jóhannsson
“Fantastic Beasts and Where to Find Them,” music by James Newton Howard
“La La Land,” music by Justin Hurwitz
“Nocturnal Animals,” music by Abel Korzeniowski
“La Tortue Rouge [the Red Turtle],” music by Laurent Perez del Mar

COMPOSER OF THE YEAR
Alexandre Desplat
Michael Giacchino
James Newton Howard
Justin Hurwitz
Fernando Velázquez

BREAKTHROUGH COMPOSER OF THE YEAR
Chad Cannon
Kyle Dixon And Michael Stein
Simon Franglen
Daniel Hart
Justin Hurwitz

BEST ORIGINAL SCORE FOR A DRAMA FILM
“Ah-ga-ssi [the Handmaiden],” music by Jo Yeong-Wook
“High Rise” music by Clint Mansell
“The Light Between Oceans,” music by Alexandre Desplat
“Moonlight,” music by Nicholas Britell
“Nocturnal Animals,” music by Abel Korzeniowski

BEST ORIGINAL SCORE FOR A COMEDY FILM
“Eddie The Eagle,” music by Matthew Margeson
“Hail, Caesar!,” music by Carter Burwell
“La La Land,” music by Justin Hurwitz
“The Nice Guys,” music by John Ottman and David Buckley
“Swiss Army Man,” music by Andy Hull and Robert McDowell

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM
“Elle,” music by Anne Dudley
“The Jungle Book,” music by John Debney
“The Magnificent Seven,” music by James Horner and Simon Franglen
“Nerve,” music by Rob Simonsen
“Xi You Ji Zhi: Sun Wukong San Da Baigu Jing [the Monkey King 2],” music by Christopher Young

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM
“Arrival,” music by Jóhann Jóhannsson
“Bellerofonte [Dark Waves],” music by Alexander Cimini
“Doctor Strange,” music by Michael Giacchino
“Fantastic Beasts and Where to Find Them,” music by James Newton Howard
“The Neon Demon,” music by Cliff Martinez

BEST ORIGINAL SCORE FOR AN ANIMATED FILM
“Kubo and the Two Strings,” music by Dario Marianelli
“Moana,” music by Mark Mancina
“The Secret Life of Pets,” music by Alexandre Desplat
“La Tortue Rouge [the Red Turtle],” music by Laurent Perez del Mar
“Zootopia,” music by Michael Giacchino

BEST ORIGINAL SCORE FOR A DOCUMENTARY
“Järven Tarina [Tale of a Lake],” music by Panu Aaltio
“Paper Lanterns,” music by Chad Cannon
“Planet Earth II,” music by Hans Zimmer, Jasha Klebe, and Jacob Shea
“Les Saisons [Seasons],” music by Bruno Coulais
“Spain in a Day,” music by Alberto Iglesias

BEST ORIGINAL SCORE FOR A TELEVISION SERIES
“Game Of Thrones,” music by Ramin Djawadi
“The Night Manager,” music by Víctor Reyes
“Penny Dreadful,” music by Abel Korzeniowski
“Stranger Things,” music by Kyle Dixon and Michael Stein
“Westworld,” music by Ramin Djawadi

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
“Abzû,” music by Austin Wintory
“The Banner Saga 2,” music by Austin Wintory
“The Dwarves,” music by Benny Oschmann
“The Last Guardian,” music by Takeshi Furukawa
“Recore,” music by Chad Seiter

BEST RE-RELEASE/RE-RECORDING OF AN EXISTING SCORE
“The Blue Max,” music by Jerry Goldsmith; conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. De Wald; album art direction by Matthew Wright (Tadlow)

“Chinatown,” music by Jerry Goldsmith; album produced by Douglass Fake and Roger Feigelson; liner notes by Jeff Bond; album art direction by Joe Sikoryak (Intrada)

“Gojira [Godzilla],” music by Akira Ifukube; conducted by Kaoru Wada; album produced by nominee to be determined; liner notes by Kaoru Wada and Masaru Hayakawa; album art direction by nominee to be determined (King)

“The Ten Commandments,” music by Elmer Bernstein; album produced by Douglass Fake and Roger Feigelson; liner notes by Frank K. De Wald; album art direction by Joe Sikoryak (Intrada)

“The Thief of Bagdad,” music by Miklós Rózsa; conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. De Wald; album art direction by Jim Titus (Tadlow/Prometheus)

BEST COMPILATION ALBUM
“Archipielago: A Film Music Retrospective,” music by Alberto Iglesias; album produced by José María Benítez; liner notes by Alex Sánchez and Alberto Iglesias; album art direction by Nacho B. Govantes (Quartet)

“The Cinema of Quincy Jones,” music by Quincy Jones; album produced by Stéphane Lerouge; liner notes by Stéphane Lerouge, Toots Thielemans, and Alexandre Desplat; album art direction by Jerome Witz-Gilles Guerlet (Écoutez le Cinéma)

“Early Works,” music by Abel Korzeniowski; album produced by Stephan Eicke and John Elborg; liner notes by Gergely Hubai; album art direction by Luis Miguel Rojas (Caldera)

“Epic Hollywood: The Music Of Miklós Rózsa,” music by Miklós Rózsa; conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. De Wald; album art direction by Barry Weekley (Tadlow)

“The John Williams Jurassic Park Collection,” music by John Williams; album produced by Mike Matessino; liner notes by Mike Matessino; album art direction by Jim Titus (La-La Land)

FILM MUSIC RECORD LABEL OF THE YEAR
Intrada Records, Douglass Fake and Roger Feigelson
La-la Land Records, Mv Gerhard and Matt Verboys
Quartet Records, José María Benítez
Tadlow Music, James Fitzpatrick
Varèse Sarabande, Robert Townson

FILM MUSIC COMPOSITION OF THE YEAR
“Epilogue”  from “La La Land,” music by Justin Hurwitz
“Light of the Seven” from “Game of Thrones” music by Ramin Djawad
“Montage” from “Swiss Army Man,” music by Andy Hull and Robert McDowell
“Night on the Yorktown” from “Star Trek Beyond,” music by Michael Giacchino
“The Master of the Mystic End Credits” from “Doctor Strange,” music by Michael Giacchino

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